Overview
VENICE is a reliable partner for creativity, specifically designed for cinematographers. It features a newly developed full-frame image sensor that meets the demands of the film industry, pushing the boundaries of large format image capture with exceptional quality. With its wide latitude and gamut, VENICE allows for greater freedom of expression in grading and established workflows. The camera also boasts a user-friendly design, simple menu navigation, and a durable construction, making it easy to use in tough or time-critical filming conditions.
Equipped with a 36x24mm full-frame sensor, VENICE can capture images in various formats, including Super35 and Anamorphic. Sony offers customizable licenses for expanding the cameras capabilities, such as 4K anamorphic and full-frame. With an exceptional 15+ stops of latitude, VENICE delivers phenomenal images in any lighting condition. It also supports a wide color space and PL lens mount, making it compatible with all Super35 and full-frame lenses. VENICEs ability to capture breathtaking images with stunning lens flare and 6K resolution makes it a top choice for cinematographers.
Summary
Dynamic Range: 15+
Native ISO:
ISO 2500
ISO 500
Lens Mount: PL Mount
Recording Formats:
ARRIRAW 2.8K 16:9 2880×1620
X-OCN XT/ST/LT
Internal ND: Yes
Audio Inputs: XLR
Shutter: Rolling (Electronic)
Battery Mount / Type: V-Lock
Media Type: SxS
Resolution and Frame Rate: 6k 29.97
Sensor: Full Frame
Video Outputs: 12G-SDI
Weight: 2-5kg
Wi-Fi: No
Included in box
1x Sony VENICE
1x Handle
New: Added pre-shutter off setting
When shooting using the 360° shutter setting (shutter off), the exposure time can be set closer to the maximum exposure time for the imaging frame frequency by setting Pre Shutter Off, which allows you to reduce flicker effects when shooting electronic display devices that are driven by the same sync system.
However, an afterimage may remain for one frame when an excessive amount of light is incident, such as when shooting with a flash.
The new Sony VENICE camera brings professional cinematography to the next level. 6K sensor and 15 stops of dynamic range – 9 stops below and 6 stops above 18% grey – for beautiful images, with out of the box 4K 17:9, 3.8K 16:9 UHD capabilities and the option to upgrade to 6K 1.85:1, 6K 17:9, 5.7K, 6K 2.39:1 with firmware.
You get superb dynamic range, a wide colour gamut3 that exceeds BT.2020 colour space and this camera matches the performance of the F65 and F55.
The VENICE is a reliable partner for creativity with the ability to control via Wi-Fi. The extra shallow depth of field captures images that have the equivalent of ½ stop shallower than super 35mm.
Full frame sensor and wide range of lens compatibility to visualise the image of filmmakers
The camera combines a newly developed 36x24mm full-frame sensor and compatibility with a wide range of lenses, including anamorphic, Super 35mm and full-frame PL mount for a greater range of expressive freedom with shallow depth of field. The lens mount can also be changed to handle E-mount lenses for shooting situations that require smaller, lighter, wider and more characteristic lenses. User-selectable areas of the image sensor allow shooting in Super 35 mm 4 – perf. Sony’s commitment to furthering image capture in key areas of dynamic range, large format aspect ratio and colour rendition. Sony’s VENICE motion picture camera platform demonstrates the commitment to filmmakers to create every emotion in every frame, to all the camera to shoot 36mm widewith 6K resolution.
New colour management system and established workflow for flexible post-production
A new colour management system and wide colour gamut gives users more control and greater freedom to work with images during grading and post-production. VENICE also has more than 15 stops of latitude to handle challenging lighting situations from low-light to harsh sunlight.
VENICE achieves high quality and efficient file-based production through Sony’s established 16-bit RAW/X-OCN and XAVC workflows using the portable memory recorder AXS-R7. VENICE is also compatible with current and upcoming hardware accessories for CineAlta cameras (DVF-EL200 Full HD OLED Viewfinder, AXS-R7 recorder, AXS-CR1 and AR1 card reader, AXS and SxS memory cards).
Intuitive design and refined functionality to support smooth on-site operation
VENICE has a fully modular and intuitive design with refined functionality to support smooth and efficient on-site operation. It is the film industry’s first camera with a built-in 8-stage glass ND filter system, enabling to reduce the replacement work of the external ND filter and make shooting progress efficient. The camera is designed for easy operation with an intuitive control panel placed on the left and right sides of the cameras. A 24 V power supply input/output and Lemo connector allow use of many standard camera accessories and make use in harsh environments easier.
License options for individual production requirements
With VENICE, Sony is giving users the option to customise their camera by enabling the features needed, matched to their individual production requirements. Optional licenses will be available in permanent, monthly and weekly durations to expand the camera’s capabilities with new features including 4K anamorphic and full frame, each sold separately.
High Performance, Proven Recording Formats
VENICE offers complete production flexibility. Internally, VENICE can support XAVC, ProRes or MPEG HD recording onto SxS memory card. Additionally, by using the AXS-R7 recorder, it can record 16 bit RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) onto AXS memory card.
XAVC
XAVC is the highest-performing implementation of H.264/AVC intra-frame coding. It supports 4K with superb efficiency and beautiful 10-bit pictures. Naturally, VENICE supports XAVC Class480, which is the highest bitrate and quality available.
Apple ProRes*
Apple ProRes including ProRes 422 proxy formats are popular in postproduction, and are supported by VENICE. This means there’s no need for transcoding; you can simply handle these formats directly from the camera.
* Firmware update required.
RAW
This ultimate 16-bit linear RAW format preserves all the information captured in 4K, with 16 times more tonal values than 12-bit RAW.
X-OCN – 16-bit eXtended tonal range Original Camera Negative
Full 4K and 6K* resolution, with extraordinary colour reproduction, nicely suits Sony’s third generation colour development, S-Gamut 3. In particular, 16-bit scene linear tonal gradation retains the camera’s full dynamic range, with far greater capacity for visual expression than 10-bit or 12-bit digital formats.
16-bit X-OCN offers significant file size reduction, which make working with full resolution content from VENICE’s 6K sensor far more practical in terms of file transfer times and storage requirements.
* Firmware update required.
Simultaneous Recording for faster workflow
A key benefit of VENICE is simultaneous recording using two recording media. For example, a production could use RAW/X-OCN data recorded by AXS-R7 for online editing and also use XAVC, ProRes* or MPEG HD for offline editing without waiting for any file conversion. As VENICE can also record XAVC 4K and RAW / X-OCN* simultaneously, another option would be to use XAVC 4K for quick turnaround mainstream production while using simultaneously recording RAW / X-OCN as a future-proof archive suitable for the highest quality HDR applications.
VENICE supports onboard recording of MPEG HD (fixed FPS only) and HD ProRes Proxy* in XAVC 4K and XAVC QFHD onto SxS media.
*Firmware update required.
Even without using AXS-R7, VENICE itself can record XAVC 4K and ProRes 422 Proxy* simultaneously. VENICE is designed to support both the highest quality imagery and high speed workflows.
VENICE with AXS-R7 supports both RAW and X-OCN recording of MPEG HD (fixed FPS only), HD ProRes*, XAVC 4K* and XAVC QFHD* onto SxS media.
*Firmware update required.
General
Power Requirements DC12V (11～17.0V)
DC24V (22~32.0V)
Operating Temperature 0 to 40℃
Storage Temperature -20℃ to 60℃
Mass Approx. 3.9kg (8lb 10oz) (without lens, handle, VF attachment expansion bottom plate and accessories)
Dimensions 133 x 159 x 172 mm (without protrusion)
Camera
Imaging Device Full-Frame CMOS
Imaging Device Pixel Count 24.7M (total), 24.4M (effective)
Imaging Device Size 36.2×24.1mm. 43.5mm (diagonal).
Built-In ND Filters Clear, 0.3(1/2), 0.6(1/4), 0.9(1/8), 1.2(1/16),
1.5(1/32), 1.8(1/64), 2.1(1/128), 2.4(1/256)
ISO Sensitivity ISO500F
Lens Mount PL Mount
E-mount (lever lock type, without supplied PL lens mount adaptor)
Latitude 15+ Stop
Select FPS Imager mode-
3.8K 16:9, 4K 17.9: 1-60FPS
4K 4:3: 1-48FPS
4K 6:5, 5.7K 16:9, 6K 17:9, 6K 1.85:1, 6K 2.39:1: 1-30FPS
6K 3:2: 1-24FPS
White Balance 2000~15000Kelvin and Green/Magenta adjust, AWB*
Gamma Curve S-Log3
Recording
Recording Format (Video) XAVC 4K Class480: 23.98p, 24p, 25p,29.97p
XAVC 4K Class300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
XAVC QFHD Class480: 23.98p, 25p, 29.97p
XAVC QFHD Class300: 23.98p, 25p, 29.97p, 50p, 59.94p
MPEG HD422(1920×1080): 23.98p, 24p, 25p, 29.97p, 50i, 59.94i
HD ProRes 422HQ*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 60i
HD ProRes 422*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422 Proxy*: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i,
59.94i
Recording Format (RAW/X-OCN) required AXS-R7 RAW SQ:
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 25p, 29.97p, 50p, 59.94p
X-OCN ST/LT:
6K 3:2(6048 x 4032): 23.98p, 24p,
6K 2.39:1 (6048 x 2530)*: 23.98p, 24p, 25p, 29.97p
6K 1.85:1 (6048 x 3270)*: 23.98p, 24p, 25p, 29.97p
6K 17:9 (6048 x 3190)*: 23.98p, 24p, 25p, 29.97p
5.7K 16:9 (5672 x 3190)*: 23.98p, 25p, 29.97p
4K 6:5(4096×3432)*:23.98p, 24p, 25p, 29.97p
4K 4:3(4096×3024) :23.98p, 24p, 25p*, 29.97p*
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
Recording Format (Audio) LPCM 4ch , 24-bit 48-kHz
Inputs/Outputs
DC Input XLR-type 4pin (male)
Battery DC Input Square-shaped 5pin connector
DC Output 12V: Hirose 4pin x1
24V: Fischer 3pin x2
SDI Output BNC×4, (12G, 3G, 1.5G-SDI)
HD MONI Output BNCx1 (1.5G-SDI)
HDMI Output Type A ×1
VF LEMO 26pin
Audio Input XLR-type 5pin (female) x1 (LINE/ AES/EBU / MIC /
MIC+48V selectable)
Timecode Input BNC x1
Genlock Input BNC x1
AUX LEMO 5pin (female) x1 (Timecode Output)
Remote* 8pin x1
Lens* 12pin x1
Lens Mount Hot Shoe 4pin x2, conforming to Cooke /i Intelligent
Electronic Lens System
Network* RJ-45 type x1, 10BASE-T, 100BASE-TX
USB* USB host, type-A x1
Headphone Output Stereo mini jack x1
Speaker Output Monaural
Media type ExpressCard/34 slot×2
SD card slot ×1
Firmware update required New Features and Improvement V3 Firmware
Imager Mode 5.7K 16:9
6K 2.39:1
Recording Formats X-OCN XT recording – designed for demanding
applications such as visual effects offering utmost image quality
alongside economical file sizes for highest quality X-OCN workflow. [AXS-R7
required]
47.952 project frame rate (4K 4:3 and 4K 17:9)
Simul. Rec Combination XAVC 4K/QFHD and Apple ProRes (Proxy only)
RAW/X-OCN and XAVC 4K/QFHD
Shooting Function Cache Rec. for a maximum 30 sec in X-OCN 4K
17:9 AXS Memory / HD MPEG 50 SxS memory. Maximum 8 sec in
X-OCN ST 6K 3:2 AXS Memory.
AXS Relay recording
Monitor Out Function De-squeeze function (x1.25, x1.3, x1.5, x1.8) .cdl file import
6G/12G-SDI switchable output enabling 4K SDI output during RAW
and HD simultaneous recording
Shooting Assist Function VENICE VF function control with DVF-EL200
SxS XDROOT Folder and Volume name changing to CamID+Reel#
Configurable False Color on VF and HD Monitor
False Color (SDI Monitor)
2:1 Frame Line preset
Hardware 12 pin lens remote
Network Function Wired LAN control (FULL MENU)
Wireless LAN control (with CBK-WA02)
Reliable Partner for Creativity
The VENICE is a cinema camera created by and for the cinematographer. VENICE is equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality.
Beautiful Image
Satisfied with the current condition? With the wide latitude and gamut recorded by the VENICE, freedom of expression is significantly expanded in grading and based on established workflow.
Simple and Intuitive
Usability and reliability of the camera is one of the major concerns for operators especially in tough or time critical filming conditions. With a user friendly design, clear and simple menu navigation, and a highly durable, reliable construction, using VENICE you can simply concentrate on filming, and not the camera.
36x24mm Full-Frame Sensor for cinema
VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for the demands and performance of high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032*. By switching imager modes, VENICE can natively support Super35 24.9×18.7mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.9×14.0mm 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 Anamorphic and spherical and full-frame 24mm-height Anamorphic and spherical*. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame* or Super35.
With VENICE, Sony is giving users the option to customize their camera by only enabling the features needed, according to their individual production requirements. Licenses will be available to expand the camera’s capabilities with new features including 4K anamorphic and full-frame.
Creative freedom
Full-Frame Full width 36 mm 6K
In full-frame, you can use the full 6048 pixel width of the sensor for widescreen spherical 2.39:1 or Large Format Scope. Full-Frame can be used creatively in a number of ways – for example, to allow for extra shallow depth of field or super-wide shooting.
Super35 full height 2x squeeze Anamorphic
For anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported.
Super35 17:9 and 16:9
These popular imager sizes are natively supported by VENICE. Current Super35mm PL mount lenses can be used.
Fast Shutter
Jello effect is something that we don’t need when filming. VENICE has high speed readout sensor which minimizes the jello effect that are typical in the CMOS sensors.
Phenomenal latitude
VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.
More Colours for More Expression
VENICE can exceed Rec. 2020 colour space. This means the colour range is wider than DCI-P3 and
can beautifully reproduce the true colour of the scene in front of your lens. This also provides the broad palette in the grading suite using the established workflow of Sony’s third generation LOG gamma encoding (S-Log3), and Ultra-wide colour space.
PL Lens Mount
VENICE comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology. Lens information is recorded as metadata frame by frame.
Lever Lock Type E-mount*
E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saves time during a production.
* Firmware update required
Depth of Field
As the sensor size gets larger, depth of field becomes shallower. VENICE’s wide 36 mm full-frame sensor can capture images that have the equivalent of 1-2 stops shallower depth of field compared to Super35.*
* Firmware update required
Anamorphic Look
VENICE’s support for anamorphic lenses combined with its ability to shoot 4:3 aspect ratio at a horizontal resolution of 4K allows the capture of breathtakingly beautiful images with stunning lens flare, bokeh and emotional impact.
6K High Resolution
The stunning full 6K resolution of the camera can be recorded directly in X-OCN (16 bit Extended tonal range Original Camera Negative) file format. Also, XAVC 4K can be captured onto SxS cards while still sampling from the full 6K resolution of the sensor.
Compact and Intuitive
VENICE has a surprisingly compact design which allows easier shooting in confined spaces or on drones. VENICE’s control buttons reflect the requirements of camera operators, carefully positioned for intuitive operation. They even illuminate for easy use on dark sets. On-set monitoring operation is further enhanced by the addition of an extra HD output alongside the standard 4K-SDI. VENICE can be powered by both 12 V and 24 V power sources that can be connected at the rear. A wide range of accessories are supported, including standard Fischer connectors. For enhanced durability in tough conditions, the viewfinder uses a LEMO connector.
Engineered to Survive
VENICE’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.
Easily Configurable
VENICE has a fully modular design and even the sensor block is interchangeable. So, as sensor technology advances in far future, you have the opportunity to upgrade without investing in a new camera. In order to maintain ergonomic balance for operators, the top handle and viewfinder are easily adjustable. As the height of the camera from the bottom to the optical center of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.
World’s first 8-step Mechanical ND Filters*
VENICE is the world’s first camera of its class with a servo-controlled 8-step Mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.
* Based on Sony market search.
Intuitive and Familiar On-Set Operation
VENICE has control displays on both sides of the camera, with the main display on the camera outside for fast access to the camera settings by the camera assistant while shooting. The camera operator’s OLED mini display allows intuitive control of commonly accessed features such as ND filter, shutter, FPS, White Balance and Exposure Index. The control interface is an all-new design based on extensive researches with camera operators.
Next Generation Viewfinder
The DVF-EL200 was specifically created as the perfect partner for VENICE due to its exceptional performance and additional control features*. It has a 1920 x 1080-resolution OLED panel with exceptional high contrast, enabling precise, high resolution focusing and framing. Its all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. A rotary encoder provides instant access to brightness, peaking and contrast. The industry-standard LEMO connector offers exceptional durability.
VENICE WORKFLOW
HIGH PERFORMANCE WORKFLOWS FOR CREATIVE FREEDOM
Uncompromising image quality with economical file sizes all the way to 6K
Exceptional tonal rendition and dynamic range thanks to 16-bit Scene Linear capture
Fast, easy and powerful workflows supported by all major third-party post tools
16-bit Extended Tonal Range — Original Camera Negative and VENICE VENICE provides internal recording in the XAVC®, MPEG2 and Apple® ProRes codecs (ProRes with firmware upgrade). Add the AXS-R7 external recorder and you get Sony’s superlative 16-bit linear RAW and 16-bit eXtended Tonal Range — Original Camera Negative (X-OCN) recording. The X-OCN format is a game changer, achieving up to 6K resolution and High Dynamic Range while maintaining reasonable bitrates.
16-bit recording with an Ultra-Wide Color Gamut and HDR workflows Far exceeding 10 and 12-bit formats, 16-bit X-OCN records 65,536 tonal gradations per color component, or over 280 trillion individual shades of color. This is the ultimate in grayscale expression, creating an enormous palette for extreme subtleties in grading and far greater flexibility for colorists and editors alike. In this way, X-OCN is ideal for the most advanced workflows, including ACES, Rec. 2020, SMPTE ST 2084, the extended color space of Sony’s S-Gamut3 color and High Dynamic Range tone mapping.
Supports VENICE at up to 6K in Full-Frame X-OCN captures the full dynamic range of VENICE at resolutions up to 6K (when in Full-Frame mode) with a unique 16 bits of depth per color component. The stunning full 6K resolution of the camera can be recorded directly in X-OCN file format by the AXS-R7 recorder.
If required, post-production tools such as Sony’s RAW Viewer can process X-OCN material from 16-bit Linear to Sony’s S-Log3 for 10-bit deliverables. Sony’s unique log curve, S-Log3 is vital where constraints in data storage and viewing conditions call for the use of 10-bit representation. S-Log3 captures the extended dynamic range of the VENICE imaging sensor and optimally maps its grayscale gradations within 10 bits for image monitoring or for viewing dailies such as when recording to the XAVC, MPEG or Apple ProRes codecs.
X-OCN recording: Established post workflows X-OCN is as easy to work with as Sony RAW, with files that play back in real time on most laptop computers. You get a choice of tools for debayering, editing, grading and file management. Instead of “baking in” your settings for Exposure Index, color space, LUTs, gamma and log, X-OCN captures these parameters as monitoring settings. This process is completely non-destructive, delivering the full potential of the image sensor into post but with the added advantage of efficient file sizes. For additional simplicity, X-OCN uses the same industry-standard OP1a MXF wrapper as Sony RAW, XAVC, SR File and MPEG2 formats. Both picture and sound are contained within one file wrapper for easy file management.
X-OCN files are smaller, transfer faster X-OCN combines the quality and versatility of RAW with the easy playback and smaller files of traditional codecs. You get longer record times, faster file transfers and more cost-effective postproduction. In X-OCN – Standard (ST) mode, X-OCN preserves the tremendous subtlety, image information and processing robustness of 16-bit Scene Linear. Choose X-OCN – Light (LT) mode when you need even smaller file sizes, yet you still require the phenomenal picture quality and image processing flexibility provided by 16-bit Scene Linear.
Workflow tools compatible with the X-OCN codec X-OCN is supported by leading non-linear editing software tools such as Adobe Premiere CC, Apple Final Cut Pro X via Calibrated{Q} Sony RAW Decode plug-in, Avid Media Composer via nablet Sony RAW AMA plug-in, Blackmagic DaVinci Resolve, Colorfront OSD and FilmLight Baselight, to name a few.
VENICE on-board recording In addition to X-OCN and 16-bit Sony RAW recording with the AXS-R7 recorder, VENICE also supports internal recording in the XAVC, MPEG HD and Apple ProRes* codecs. The camera provides two SxS memory card slots. * Firmware update required
Simultaneous Recording for faster workflow A key benefit of VENICE is simultaneous recording. For example, a production could use RAW/X-OCN data recorded by AXS-R7 for the color grade and use XAVC, Apple ProRes* or MPEG HD for offline editing without waiting for any file conversion. As VENICE can also record XAVC 4K and RAW / X-OCN* simultaneously, another option would be to use XAVC 4K for quick turnaround mainstream production while simultaneously recording RAW / X-OCN as a future-proof archive suitable for the highest quality HDR applications. Even without using AXS-R7, VENICE itself can record XAVC 4K and Apple ProRes 422 Proxy* or MPEG HD simultaneously. VENICE is designed to support both the highest quality imagery and high speed workflows. * Firmware update required
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