Sony FX3 Full-Frame Cinema Line Camera

OVERVIEW
Sony Alpha FX3 ILME-FX3 is the latest compact Cinema Line camera designed for solo-shooting. With its internal cooling system, the FX3 can extend shooting time and cover a wider range of shooting situations. It boasts an outstanding 4K full-frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO), and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor.

The FX3 allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles, defining a new era of Cinema Line cameras from Sony. Its fast and accurate autofocus technology includes Real-time Eye Autofocus, Real-time touch tracking, and customizable autofocus tracking sensitivity, providing more freedom for shooting videos. The 5-axis in-body stabilization with Active Mode makes it ideal for handheld shots.

In addition to its small form factor, the FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The body design also integrates the idea of a cage with grip and screw options, emphasizing its compact form factor. The Sony Cinema Line FX3 is designed for the future of cinematic expressions.

Pair your Sony camera with UWP-D Wireless Audio for crisp and dependable audio. The UWP-D is light, compact, and easy to use, making it the perfect companion for all content creators (sold separately).

Sonys FX3 Cinema Line camera offers cinematic expression, reliable performance, and streamlined operation to meet the needs of todays creative community. Its full-frame image sensor, innovative light-gathering techniques, and expandable ISO sensitivity of up to 409600 allow for full-frame image capture even in dim light.

The FX3 also offers an exceptional 15+ stops of dynamic range, allowing for wider creative expression. Its shallow depth of field, stunning bokeh, and cinematic freedom make it perfect for capturing scenes in cinematic 4K resolution. The cinematic colour science of S-Cinetone, developed for Sonys acclaimed FX9, is the default look on the FX3, providing rich colour and natural skin tones without the need for grading.

Experience the future of cinematic freedom with the Sony FX3, capturing stunning 4K footage at up to 120fps with every frame. Join the Sony Cinema Line and unleash your creative potential.

SUMMARY
Dynamic Range: 15+ Stops
Native ISO: ISO 800
Lens Mount: Sony E Mount
Recording Formats: XAVC S-I HD/4K: 10-bit 4:2:2
Internal ND: No
Audio Inputs: 2x Mini XLR
Shutter: Rolling
Battery Mount / Type: Sony NP-F
Media Type: CFexpress Type A
Resolution and Frame Rate: 4k 120p
Sensor: Full Frame
Video Outputs: 1 x HDMI (Type A)
Weight: 0-2kg
Wi-Fi: Yes
INCLUDED IN BOX
1x Camera
1x Battery Charger
1x Power Cord (mains lead)
1x Rechargeable Battery Pack NP-FZ100
1x USB Type-C Cable
1x XLR Handle Unit
1x Accessory Shoe Kit
1x Body Cap (attached to camera)
1x Shoe Cap (attached to camera)
1x Handle Shoe Cap (attached to the handle)
1x Startup Guide
1x Reference Guide

About The Sony FX3 Full-Frame Cinema Camera
Firmware Update Version 5.00 available HERE

Benefits and Improvements

Allows you to upload camera images directly to the Creators’ Cloud app

Notes:

Make sure you have updated the Creators’ App to the latest version (Ver.2.3.0 or later)
Settings must be made in the Creators’ App in advance. For more information, please visit the Creators’ App support website
Service may not be available in some countries or regions. For more information, please visit the Creators’ Cloud support website
Enables display of the Wi-Fi signal strength
Fixes an issue where certain custom key operations may cause a restart
Fixes an issue where the time may not be retained after a power restart
Improves the exposure stability when using Extended ISO during movie recordings
Improves the operational stability of the camera

Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations. It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus, Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions.

Pair your Sony camera with UWP-D Wireless Audio

Light, compact and easy to use, UWP-D brings crisp, dependable audio to all content creators

*Sold separately

FX3 New Cinematic Freedom

Sony’s FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today’s creative community. Compact and lightweight, it’s easy to carry and handle.

Full-frame image capture even in dim light

The FX3’s full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600.

Wide dynamic range, wider creative expression

The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.

Stunning bokeh and full-frame creativity

Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.

Cinematic colour science of S-Cinetone

S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It’s precisely tuned to meet the requirements of today’s content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.

4K 120fps with every frame in focus

Even at high frame rates, detailed 4K imagery is captured thanks to the FX3’s high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).

10-bit S-Log3 and HDR recording for smooth gradations

S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.

16-bit RAW HDMI output

For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4.

Enjoy rich detail and realistic colour

The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.
[1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures

Designed for comfortable solo shooting

Dependable, highly accurate autofocus

The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2.

Sophisticated tracking AF for steady focus

Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony’s unique AI-based subject recognition algorithms.

Smooth transitions and touch focus control

The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.

High-performance E-mount lenses for movies

Experience smooth, responsive autofocus with Sony’s E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony’s E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors.

High-mobility performance wherever you go

With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

Attachable XLR handle

A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.

In-camera image stabilisation

Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.
[1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis)

Image stabilisation and easier editing with Catalyst

Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony’s Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.

Expandability and operability for content creators

Front and rear tally lamps

Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.

Vari-angle LCD touch-panel monitor

The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.

Essential controls for efficient solo shooting

In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.

Uninterrupted 4K/60p recording

For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.

XLR adaptor and digital input for quality audio

In addition to the camera’s convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used.

Dual high-speed media slots

Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera’s slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.

Remote camera control and network transfer

A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony’s Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP.

Remote preview, shooting and streaming

Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.General
CAMERA TYPE Interchangeable lens digital camera
LENS MOUNT E-mount
Size and Weight
WEIGHT (MAIN UNIT ONLY) (APPROX.) 715 g (1 lb 9.3 oz) (with battery and memory card included)
640 g (1 lb 6.6 oz) (body only)
WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (APPROX.) 1.015 kg　(2　lb　3.8 oz) (with XLR Handle
battery pack, SD card)
DIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) (APPROX.) 1.015 kg　(2　lb　3.8 oz)
(with XLR Handle, battery pack, SD card)
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.) 129.7 mm x 77.8 mm x 84.5 mm
(5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions
Power
POWER CONSUMPTION [Movie] Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)
[Still image] Approx. 3.4W (with FE 28-70mm F3.5-5.6 OSS lens attached)
BATTERY OPERATING TIME Approx. 95 min (Actual recording, CIPA standard)　1
Approx. 135 min (Continuous recording, CIPA standard), Approx. 580 shots (still images, CIPA standard)
Operation
OPERATING TEMPERATURE 0°C to 40°C, 32°F to 104°F
STORAGE TEMPERATURE -20°C to +55°C, -4°F to +131°F
Recording Format(Video)
XAVC HS [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC
H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p
100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC
H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps
4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC
H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps
4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC
H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265
XAVC S
[XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p
150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC
H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p
100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC
H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p
200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps
4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC
H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0
8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264
XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264,
XAVC S-I
[XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps
4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264
XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC
H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p
185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264,
XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264,
Recording Format (Audio)
RECORDING FORMAT (AUDIO) LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch
(48kHz 24bit), MPEG-4 AAC-LC 2ch
Recording Frame Rate
XAVC HS [XAVC HS 4K] 3840×2160/119.88p, 100p, 59.94p, 50p, 23.98p
XAVC S [XAVC S 4K] 3840×2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p
23.98p, [XAVC S-I HD] 1920×1080/59.94p, 50p, 29.97p, 25p, 23.98p
XAVC S-I
[XAVC S-I 4K] 3840×2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920×1080/59.94p
50p, 29.97p, 25p, 23.98p,
Recording/Playback Time
XAVC HS [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes,
When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T
(160 GB) Approx. 110 minutes, When using CEA-G80T (80GB) Approx. 55 minutes,
59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes, When using CEA-G80T (80GB)
Approx. 80 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes
When using CEA-G80T (80GB) Approx. 100 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB)
Approx. 340 minutes, When using CEA-G80T (80GB) Approx. 160 minutes
XAVC S
[XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80GB)
Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes
When using CEA-G80T (80GB) Approx. 55 minutes, [XAVC S HD] 59.94p/50p 50M
When using CEA-G160T (160 GB) Approx. 310 minutes, When using CEA-G80T (80GB)
Approx. 150 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes,
When using CEA-G80T (80GB) Approx. 390 minutes
XAVC S-I
[XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes
When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB)
Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes
PROXY AUDIO XAVC Proxy: AAC-LC, 128kbps, 2 channels
PROXY VIDEO 1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080 (Approx. 16Mbps)
Other Video Function
VIDEO FUNCTIONS Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector
Camera Section
SENSOR TYPE 35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
PIXELS Approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective)
for Still images, Approx. 12.9 megapixels (total)
SENSITIVITY [Movie] ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)
AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400
ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.)
AUTO (ISO 80-12800, selectable lower limit and upper limit)
SHUTTER SPEED Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode
up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 sec, Bulb
Slow & Quick Motion
XAVC HS XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps
120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
XAVC S XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps
[PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps
2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps2, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps
25fps, 50fps, 100fps, 200fps2
XAVC S-I XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps
[PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps
2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps2, [PAL mode] 1fps, 2fps, 3fps, 6fps
12fps, 25fps, 50fps, 100fps, 200fps2
White Balance
WHITE BALANCE MODES Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash
Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
Gamma
GAMMA CURVE Off / PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone
Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode
Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Latitude
LATITUDE 15+ stop (S-Log3)
Focus System
TYPE Fast Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS POINT [Movie] 627 points, [Still image] 35mm full frame: 759 points (phase-detection AF)
SENSITIVITY RANGE EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)
FOCUS MODE [Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF)
AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
FOCUS AREA [Movie] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot
[Still image] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking
OTHER FOCUS FEATURES Eye AF ([Movie] Human (Right/Left Eye Select)
([Still image] Human (Right/Left Eye Select) / Animal,),Face detection (Face Priority in AF
Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity
[Movie] AF Transition Speed, [Still image] Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)
Exposure Control
METERING SENSITIVITY EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
EXPOSURE MODES [Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S)
Manual (M) / Flexible Exp. Mode, [Still images] AUTO (iAuto), P, A, S, M 　
Recording (Still image)
RECORDING FORMAT JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant)
HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
IMAGE SIZE Image size [3:2] 35mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L:5.1M
M: 3.0M, S: 1.3M, Image size [4:3] 35mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M
M: 2.7M, S:1.1M Image size, [16:9] 35mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M
S: 1.1M, Image size [1:1] 35mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M
Playback
PLAYBACK FUNCTIONS Index view, Folder selection (Date / Still / Movie)
Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills)
Rating (stills), Display as Group (stills)
Interface
AUDIO INPUT 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2)
line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)
USB USB Type-C (x1, SuperSpeed USB 5Gbps (USB 3.2) compatible), Multi/Micro USB (x1)
HEADPHONE OUTPUT Yes (3.5 mm Stereo minijack)
SPEAKER OUTPUT Built-in, monaural
HDMI OUTPUT HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit
MULTI INTERFACE SHOE With Digital Audio Interface
BLUETOOTH Bluetooth Standard Ver. 5.0 (2.4GHz band))
Media
MEDIA TYPE CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
Monitoring
LCD 7.5cm (3.0-type) type, approx. 1.44M dots, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.
Built-in Microphone
BUILT-IN MICROPHONE Built-in, stereo
File System
FILE SYSTEM FAT12, 16, 32, exFAT
Zoom
ZOOM FUNCTION Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD)
[Still image] Approx. 2x ), Digital zoom ([Movie] 35mm full frame: approx. 4x, APS-C: approx. 4x
[Still image] 35mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx
4x, M:approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35mm full frame: M: approx. 1.5x
S: approx. 2x, APS-C: M:approx. 1.3x, S: approx. 2x)
Still image function
SHUTTER Mechanical shutter / Electronic shutter
DRIVE MODES Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer
Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
CONTINUOUS SHOOTING SPEED Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
NOISE REDUCTION Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.
High ISO NR: Normal / Low / Off
FLASH CONTROL Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor
for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 sec.
OTHER STILL IMAGE FUNCTION Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot 3
Image Stabilization
TYPE Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
MODE [Movie] Active / Standard / Off, [Still image] On / Off
COMPENSATION EFFECT (STILL IMAGES) 5.5 stops (based on CIPA standard. Pitch/yaw shake only
With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)
Custom Function
CUSTOM FUNCTION Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set
Lens Compensation
LENS COMPENSATION Peripheral Shading, Chromatic Aberration, Distortion
Wi-Fi/NFC
SUPPORTED FORMAT IEEE 802.11a/b/g/n/ac
FREQUENCY BAND 2.4GHz band/5GHz band4
SECURITY WEP/WPA-PSK/WPA2-PSK
NFC NFC Forum Type 3 Tag compliant
FTP Transfer
FTP TRANSFER Wired LAN (USB-LAN), USB Tethering, Wi-Fi
Supplied Accessories
SUPPLIED ACCESSORIES Accessory shoe cap, Accessory shoe kit, Battery Charger BC-QZ1, Body cap
Handle shoe cap, Power cord, Rechargeable Battery NP-FZ100, USB-A to USB-C cable (USB 3.2), XLR handle unit

4K full-frame back-illuminated CMOS Exmor R™ sensor , 15+ stop dynamic range, ISO expandable to 409600 for low light conditions
Cinematic Expressions with 16bit RAW, S-Log3 and S-Cinetone™, a highly regarded look profile inspired by VENICE colorimetry
DESIGNED FOR PROFESSIONAL WORKFLOW: 715g compact and light weight body suitable for solo-shooting and handheld mobility
FAST, PRECISE AND CUSTOMIZABLE AUTOFOCUS SYSTEM: Fast Hybrid AutoFocus, Real-time Eye AF, Touch tracking Autofocus, Customizable Autofocus sensitivity,
Reliable in every shooting situation: Ragid magnesium body and frame, and heat dissipation system for uninterrupted 4K 60p recordingImage sensor with blazingly fast readout speed

The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.

High performance image-processing engine

The BIONZ XR™ image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.

High sensitivity, wide dynamic range

The full-frame sensor enables high sensitivity with low noise throughout the camera’s range by optimising the sensor’s output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops5, without blown highlights. Together, the camera’s high sensitivity and wide dynamic range expand your flexibility in post-production.

Acclaimed cinematic colour with S-Cinetone

The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading. [1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11)

4K High Frame Rate 120fps recording

You can record full-frame 4K (QFHD) at up to 120fps6 with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time)7. The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting.

All-Intra internal recording

In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported8. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. [1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures

HEVC codec with high compression efficiency

XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes9.

S-Log2 and S-Log3 with 10-bit 4:2:2 support

S-Log2 and S-Log3 gamma curves are available, with S-Log3 giving better gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops5. For camera matching with other S-Log3 capable Cinema Line cameras, three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are available, offering creative flexibility and efficiency during post production.

16-bit RAW data output

Facilitating improved image quality and more flexible and efficient editing in post production, the FX3 supports 16-bit RAW data output to an external recorder via the HDMI Type-A terminal. RAW video output is from a full-frame image sensor with 4264 x 2408 [16:9] resolution, to suit 4K (QFHD) or DCI-4K10 workflows, with a choice of frame rates (60p/50p/30p/25p/24p).

Expand your vision with Creative Look

Looks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customised using individual parameter settings such as hue, colour depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user’s preference, and you can also register your favourite settings as a custom look.

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)

Proxy recording for more efficient editing workflow

Low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720)11.

Flexible exposure mode

Flexible Exposure Mode allows the Auto and Manual modes for iris, shutter speed and ISO to be set independently. The lock function, activated by a short press on the respective custom buttons, locks the related controls to prevent changes if the dial or wheel is accidentally moved. The frequently used iris and ISO can be controlled by the easily accessible front and rear dials as well as by the dial on the top panel.

Fast Hybrid AF for dependable focus during movie shooting

Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.

Fast, easy and reliable Real-time Tracking and Eye AF

Focus control is fast and intuitive, to ensure you have full creative control of the FX3’s powerful AF technology. Real-time Tracking greatly assists during solo shooting by analysing the subject’s colour, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF.

Fast, easy touch focus control12

Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It’s fast, easy, and intuitive to perform rack focusing through touch operation—ensuring you have full creative control of the FX3’s powerful AF technology.

In-body optical image stabilisation for handheld shooting

Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera’s Optical SteadyShot™ Active Mode provides precise optical image compensation, for outstanding results for 4K video recording13 14, even while walking. With this unprecedented level of stabilisation it’s possible to shoot with the camera only, taking advantage of the compact size and mobility. [1] Track of camera shake [2] Standard [3] Active

HDMI Type-A output and monitoring options

With a durable and versatile HDMI Type-A jack, it is possible to simultaneously output video to the camera’s LCD monitor, an HDMI-connected external recording or monitoring device.

XLR adaptor and digital input for quality audio

The handle of the FX3 includes two independent full-size XLR connectors (XLR/TRS combo) to connect external professional microphones through a digital audio interface via the Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel.

REC lamps and highlighting during video recording

There is one tally light on the front and one on the back, and an LED-illuminated REC button on top that works with the tally lights. In addition, by displaying a red frame on the monitor screen during video recording, even if the screen is difficult to see with a rig or gimbal attached, you can immediately confirm recording status. Light operation can be set on or off for specific applications.

Uninterrupted 4K 60p15 recording

For uninterrupted 4K 60p15 recording, the FX3 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised airflow and placement of heatsinks. When required, a silent16 cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.

Customisable buttons for professional movie creators

The innovative mirrorless design provides mobility alongside uncompromising professional operability. Frequently used controls are positioned on the top surface, and the many customisable keys and menus deliver streamlined workflows in the field. It’s designed for professional results, even when shooting requires one-handed control or challenging shooting angles and lens handling.

Various zoom operations tailor your expression

The zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle of view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary re-framing to purposeful cinematic zooms.

Cage-free accessory mounting

Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimised for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions.

Touch-driven menu with workflow-based navigation

Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers’ work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control.

Flexible camera positioning with vari-angle monitor

The FX3 is equipped with a horizontally opening vari-angle LCD monitor that is rotatable for precise framing or interesting angles, regardless of whether you are shooting movies hand-held or gimbal mounted. The screen can even be rotated for direct viewing by the subject or when shooting dramatic low angle shots. The 3.0-type, approximately 1.44 million-dot17 large touch panel LCD has high visibility and clarity.

Two CFexpress Type A-compatible media slots

The camera’s two media slots are compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes. CFexpress Type A cards are the next standard for compact storage with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.

Reliable, durable, and lightweight construction

For high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface.

Power for professional length

For extended shooting sessions, the FX3 is compatible with large-capacity NP-FZ100 batteries. USB-PD (Power Delivery) support also enables fast charging17 or continuous shooting when connected to a compatible USB Type C® power supply or portable powerbank battery19.

Reliable durability and weather resistance18 in tough situations

In response to feedback from working professionals, sealing has been applied to all body seams and around the battery and media compartments, terminal covers and chassis joints. All routes for dust and moisture entry have been examined to ensure reliable operation in challenging environments.

Data communications to support on-site workflow

Wireless 5GHz20/2.4GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera’s USB Type C® terminal supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony’s Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. Wired and wireless FTP transfer for data files as well as remote shooting capabilities support professional workflows during shoots.

Metadata to facilitate editing with Catalyst

Sony’s Catalyst Browse and Prepare software are ideal production partners for the FX3. The FX3 records two types of supplementary metadata: image stabilisation and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare desktop applications21.

Footnotes

1. Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.
2. Number of effective pixels: 1420 x 804 at 240 or 200 fps. 240 or 200 fps not available when using [XAVC HS 4K], [XAVC S 4K], or [XAVC S-I 4K] file formats.
3. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter].
4. Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only.
5. When shooting S-Log3, Sony tests.
6. With 10% image crop.
7. Post-production editing or S&Q mode recording required (sound recording not available).
8. For All-Intra, the file format should be set to XAVC S-I 4K or XAVC S-I HD.
9. XAVC HS compatible editing software, Catalyst Browse or Catalyst Prepare is required.
10. DCI-4K resolution: 4096 x 2048.
11. Proxy recording is not available in the following conditions: (a) normal movie recording at a [Record Frame Rate] of 120p (100p) or higher; (b) S&Q movie recording at a [Record Frame Rate] of 120p (100p) or higher; (c) S&Q movies at a [Frame Rate] of 120 (100) fps or higher.
12. Presetting is required.
13. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200mm or longer.
14. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q.
15. Sony internal tests. USB power supply, XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 25°C (ambient, camera when recording started), Auto power: Off, Temperature: High, Cooling fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit).
16. The sound level from the fan depends on recording mode and operating environment.
17. The internal battery will not be charged while camera power is ON and the camera is in use.
18. Not guaranteed to be 100% dust and moisture proof. XLR handle is not designed to be dust and moisture proof.
19. USB charging and power delivery are only supported via the USB Type-C® terminal. Compatibility is not guaranteed with all USB PD devices. A battery must be installed in the camera when supplying USB power.
20. 5GHz communication may be restricted in some countries and regions.
21. Supported in Catalyst Browse/Prepare Version 2020.1 or later. Image stabilisation metadata that can be used by Catalyst is generated when using a Sony E-mount lens with the camera’s optical image stabilisation set to [OFF] or [Active].
22. Features and specifications are subject to change without prior notice.
23. For information about the external power supply bundled with the product (when applicable), please refer to the link regarding information on ecodesign requirements for external power supplies in accordance with the COMMISSION REGULATION (EU) 2019/1782 of 1 October 2019 laying down ecodesign requirements for external power supplies pursuant to Directive 2009/125/EC of the European Parliament and of the Council and repealing Commission Regulation (EC) No 278/2009 https://www.sony.co.uk/electronics/eco/environmental-management

Datcommunications To Support On-Site Workflow
Wireless 5GHz20/2.4GHz LAN connections are supported, as are 1000BASE-T Ethernet network connections via a USB-to-Ethernet adaptor cable connected to the camera’s USB Type C® terminal supporting SuperSpeed USB 5Gbps (USB 3.2). Remote shooting can be controlled from a PC with Sony’s Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. Wired and wireless FTP transfer for data files as well as remote shooting capabilities support professional workflows during shoots.