RED V-RAPTOR XL 8K VV (V-Lock)

OVERVIEW
The V-RAPTOR XL is the latest addition to the RED family of cinema cameras. With its 8K VV image quality and advanced features, it is the perfect choice for A-Level productions.

Featuring the V-Lock system, the V-RAPTOR XL offers a secure and efficient way to mount and power all necessary camera accessories. The dedicated lens mount system and internal ND mechanism make it easier for camera operators, assistants, and digital imaging technicians to handle the camera.

One of the standout features of the V-RAPTOR XL is its built-in wireless genlock and timecode, eliminating the need for external attachments and streamlining the overall rig. Additional video outputs also contribute to a more accessible and efficient shooting experience.

Designed to meet the needs of high-end crews, the V-RAPTOR XL offers 710-0346 and 7100346 mounting points for all required camera accessories. This, along with its compact and ergonomic design, makes it the perfect choice for professional cinematographers.

Experience the power and versatility of the V-RAPTOR XL, the ultimate cinema camera for A-Level productions. With its 8K capabilities and cine quality, it is the perfect tool for capturing stunning visuals and bringing your creative vision to life.

SUMMARY
Dynamic Range: 17+ stops
Lens Mount: PL Mount
Recording Formats: REDCODE RAW
Internal ND: Yes
Audio Inputs: Internal Mic
Battery Mount / Type: V-Lock
Media Type: CFexpress
Resolution and Frame Rate: 120fps @ 8K
Sensor: CMOS
Weight: 2-5kg
Wi-Fi: Yes
INCLUDED IN BOX
1x V-RAPTOR XL 8K VV (V-Lock)
1x V-RAPTOR XL PL Mount
1x V-RAPTOR XL PL Mount Shim Pack
1x RED AC Power Adaptor 270W
1x 3-Pin XLR-to-4-Pin 2B Power Cable 10′
1x RED Logo Sticker
1x V-RAPTOR XL Information Card (incl. registration and support info)
1x 2 Year Standard Warranty

About The RED V-RAPTOR XL 8K VV (V-Lock)
Providing V-RAPTOR 8K VV image quality in a physical body more suited to the needs of A-Level productions with dedicated camera operators, camera assistants, and digital imaging technicians.

The V-RAPTOR XL body satisfies the needs of the high-end crew, with integrated auxiliary power and mounting points for all the required camera accessories. The dedicated lens mount system and internal ND mechanism are other comforts designed to lighten the load of what the crew needs to handle. Built-in wireless genlock and timecode, as well as additional video outputs further reduces the accessories that need to be attached to the outside of the camera, allowing for the overall rig to remain more streamline and accessible.

Sensor Specs
Sensor V-RAPTOR™ 8K VV 35.4 Megapixel CMOS
Effective Pixels 8192 (h) x 4320 (v)
Sensor Size 40.96 mm x 21.60 mm (Diagonal: 46.31 mm)
Dynamic Range 17+ stops
Key Features
Built-In ND Motorized clear filter and precision controlled electronic ND filter
Electronic ND minimum density 2 stops, maximum density 7 stops
Electronic ND selectable increments of 1/3 stops, 1/4 stops, and 1 stop
Mount Type Interchangeable lens mount, included V-RAPTOR XL PL Mount (shimmable)
Optional V-RAPTOR XL Locking Canon EF Mount
Physically compatible with DSMC Lens Mounts, but does not provide electronic communication or control
Battery Type Integrated Dual Voltage 14/26V V-Lock battery interface
Recording
Max Data Rates Up to 800 MB/s using RED branded or other qualified CFexpress media cards1
REDCODE® RAW MAX Frame Rates 120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)
140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)
160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)
192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)
240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)
320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)
480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)
Playback Frame Rates (Project Time Base) 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions
Best Available REDCODE® Settings REDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps
REDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps
REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps
REDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps
REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps
REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps
REDCODE® RAW Acquisition Formats 8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x
6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x
5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1
4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1
3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1
2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1
Apple ProRes Dedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT with resolutions up to 4K (4096×2160)
Proxy recording available up to ProRes 422 HQ in 2K (2048 x 1080)
General
Construction Aluminium Alloy
Weight 7.99lbs (with PL Mount, V-Lock) 8.08lbs (with PL Mount, Gold Mount)
DC Power Input 19.5-34 V via 4-pin 2B DC-IN
Operating Temperature 0°C to 40°C (32°F to 104°F)
Storage Temperature -20°C to 50° C (-4°F to 122°F)
Storage Relative Humidity 0% to 85% non-condensing
Additional Features
Colour Management Image Processing Pipeline (IPP2)
Supports 33x33x33 3D LUTs
Supports import of CDLs
Audio Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
Integrated dual channel mic/line/+48V input via 5-pin Audio Port, uncompressed, 24-bit 48 kHz
Autofocus Contrast and Phase Detect
Remote Control Wi-Fi for camera control via interchangeable dual band (2.4 GHz/5 GHz) antenna mounted to a female RP-SMA connector
Genlock, Timecode-in, GPIO and Ctrl (RS-232) via the integrated 9-pin EXT Port
Wired control via USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter* required) allowing remote camera control, live MJPEG preview video feed and remote media offload
Power Outputs** Regulated 12 V Outputs
2x P-TAP Connectors (3AMP Combined)
1x Rear 2-Pin 0B (3 AMP)
1x Rear 2-Pin 0B (1.5 AMP)
1x Front 2-Pin 0B (1 AMP)
Regulated 24 V Connectors
2x Front 3-Pin Fischer (3 AMP Combined)
Monitor Outputs Proprietary top accessory port for monitoring and control
3x 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes (SDI 1/2/3)
1x 3G-SDI with 3G-SDI and 1.5G-SDI modes (EVF)
12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
6G-SDI: Up to 4096 x 2160 4:2:2 for 30p, 25p, 24p
3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 25p, 24p
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
Monitor Options DSMC3 RED® Touch 7.0” LCD
IP streamed 1080p live preview wirelessly or wired via USB-C or Ethernet
Integrated 2.4” LCD for camera control (no preview video)
Camera Sync Options Tri-Level Genlock through BNC
Linear Timecode (LTC) through 5-Pin 0B
PTP through 9-Pin 0B GIG-E
Wireless Genlock and Timecode through Integrated Ambient Communication Network (ACN)
Software
RED Control Access full camera controls and live preview from iOS or Android devices.
Available from the Apple App Store and Google Play Store. RED Control works wirelessly or wired via USB-C or Ethernet
Notes *For more information on compatible accessories, go to RED.com/third- party-accessories
**High voltage power source required