Panasonic LUMIX S5iiX & 20-60mm Lens Kit

OVERVIEW
The Panasonic LUMIX S5iiX & 20-60mm Lens Kit is a compact and lightweight standard zoom lens that offers both videography and photographic excellence. With a wide viewing angle, it makes shooting indoors easier and has a close-up capability of 0.15m, perfect for table top photography. The lens also boasts a mechanism that suppresses focus breathing, ensuring smooth and high-quality video recording.

The LUMIX S5iiX & 20-60mm Lens Kit is designed for full-frame cameras and is compatible with the L Mount (p/n S-R2060E). It covers a focal length range of 20mm to 60mm, making it versatile for a variety of shooting situations. Whether youre capturing landscapes or close-up shots, this lens has got you covered.

To ensure the best quality images, the LUMIX S5iiX & 20-60mm Lens Kit is equipped with the latest technology. It is compatible with ProRes RAW and Blackmagic RAW, and supports external devices such as ATOMOS Ninja V and ATOMOS SHOGUN CONNECT. With recording modes for both full-frame and APS-C, you can capture stunning footage in 5.9K, 4.1K, and 3.5K resolutions.

The LUMIX S5iiX DSLR Camera Body is a game-changer in the world of photography. With a newly developed 24-megapixel 35mm full-frame CMOS sensor and imaging engine, this camera offers exceptional performance in both photo and video capture. It also features Hybrid Phase Detection Auto-Focus, a first for LUMIX cameras, which ensures fast and dependable AF performance in any situation.

When it comes to video recording, the LUMIX S5iiX DSLR Camera Body does not disappoint. It can record in internal 4:2:0 10-bit 6K and 5.9K resolutions at 30fps, and 4:2:2 C4K and 4K resolutions at up to 60fps. The new low-profile heat management system allows for unlimited recording times without increasing the size of the camera body, making it perfect for long shoots.

The LUMIX S5iiX DSLR Camera Body also offers a range of picture profiles, including 14+ stop V-Log/V-Gamut, for creative flexibility in post-production. It also supports wired and wireless IP streaming and USB tethering, making it a versatile tool for content creators.

In conclusion, the Panasonic LUMIX S5iiX & 20-60mm Lens Kit and LUMIX S5iiX DSLR Camera Body are a powerful combination that offers exceptional performance and value for money. With their advanced technology and versatile features, they are perfect for capturing stunning images and videos in any shooting situation. Upgrade your photography and videography game with the LUMIX S5iiX & 20-60mm Lens Kit and LUMIX S5iiX DSLR Camera Body today.

SUMMARY
Native ISO: ISO 640
Lens Mount: L Mount
Audio Inputs: 1 x 3.5mm Mic Input
Image Stabilisation: Yes
Battery Mount / Type: Li-ion Battery Pack
Media Type: SD/SDHC/SDXC
Photo Resolution: 24.2 megapixels
Resolution and Frame Rate: 4K
Sensor: CMOS
Video Outputs: 1x HDMI
Weight: 0-2kg
Wi-Fi: Yes
INCLUDED IN BOX
1 x Panasonic LUMIX S5IIX Body
1 x Body Cap
1 x Hot Shoe Cover
1 x Cover for the Battery Grip Connector
1 x Shoulder Strap
1 x Battery Pack
1 x AC Adaptor
1 x USB Connection Cable (A-C)
1 x Panasonic LUMIX S 20-60mm F3.5-5.6 Standard Zoom Lens – L Mount (p/n S-R2060E)
1 x Lens Cap
1 x Lens Hood
1 x Lens Rear Cap

About The Panasonic LUMIX S5iiX & 20-60mm Lens Kit
For full specification please see here

Update information on LUMIX S5IIX

BRAW compatibility

In addition to ProRes RAW, Blackmagic RAW is available.

Expanded compatibility of external devices ATOMOS Ninja V and ATOMOS SHOGUN CONNECT are also supported in addition to ATOMOS Ninja

All recording mode can be set as follows –

Full-frame – 5.9K – 16:9 – 5888×3312 – 12-bit

59.94Hz – 29.97p – 23.98p

50.00Hz – 25.00p

APS-C – 4.1k – 17:9 – 4128×2176 – 12-bit

59.94Hz – 59.94p, 29.97p, 23.98p

50.00Hz – 50.00p, 25.00p

APS-C – 3.5K – 4:3, 3536×2656 – 12-bit

59.94Hz – 29.97p, 23.98p

50.00Hz – 50.00p, 25.00p

*Please refer to the ATOMOS website for the information on the corresponding firmware version of ATOMOS Ninja V+, ATOMOS Ninja Vor ATOMOS Shogun CONNECT.

*Software that supports ProRes RAW is required to edit RAW video recorded with ATOMOS Ninja V+ or ATOMOS Ninja V. Apply the LUT (Look up table) available on the following customer supports site to make the same color grading as VLog/V Gamuthttps://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/

*Please refer to the Blackmagic Design website for the information on the corresponding firmware version of the Blackmagic Video Assist 12G HDR.

*DaVinci Resolve or DaVinci Resolve Studio is required to play back and edit Blackmagic RAW data. Da Vinci Resolve Studio is required to deliver projects using Blackmagic RAW data in resolutions over 3840×2160.

*All functions may not be available depending on the situation.

Firmware updates to the external devices may be required in order to realise these recording modes

Panasonic LUMIX S5IIX DSLR Camera Body

Panasonic is proud to announce two ground-breaking additions to its LUMIX S Series mirrorless camera range: the sleek matte black LUMIX S5IIX and the classically styled LUMIX S5II. With incredible performance in both photo and video capture and stunning lightweight mobility, these L Mount cameras are designed to fulfil the demands of the most ambitious creators while representing exceptional value for money.

Both models are built around a newly developed 24-megapixel 35mm full-frame CMOS sensor and imaging engine. The sensor supports Hybrid Phase Detection Auto-Focus, a first for LUMIX cameras, while the new engine provides superb image quality and high bit-rate video performance on a par with the LUMIX S1H.

Setting new standards in LUMIX AF performance

With a new imaging engine developed within the L2 Technology partnership formed by LEICA and LUMIX, and a new 24-megapixel sensor, the LUMIX S5II and S5IIX are the first LUMIX cameras to offer Hybrid Phase Detection Auto-Focus (PDAF).

The cameras use a new Phase Hybrid AF system combining PDAF with Contrast Detect AF. Fast and dependable and providing 779-area metering, the new system is able to detect target subjects in difficult conditions such as low light and backlighting and, once locked on, will remain tracking them even with other moving objects in the frame.

Continuous AF during zooming1* and AF micro adjustment are also available.

1* Conventional zoom lenses require firmware update to use Continuous AF during zooming.

A wealth of video functions and recording options

The new engine gives the LUMIX S5IIX and S5II video recording capabilities including internal 4:2:0 10-bit 6K (3:2) and 5.9K (16:9) at 30fps and 4:2:2 C4K and 4K at up to 60fps, while a new low-profile heat management system allows for unlimited recording times1* without increasing the size of the camera body. The cameras also support HFR (High Frame Rate) recording at up to 120fps and Slow & Quick capture at up to 180fps.

The LUMIX S5IIX is capable of 5.8K Apple ProRes recording to SSD via HDMI or USB, and ALL-Intra Recording. Additionally, the S5iiX can support Apple Pro Res RAW video output to Atomos. It also supports wired2* and wireless IP streaming and USB tethering.

A range of picture profiles including 14+ stop V-Log/V-Gamut are available on both models, as well as a new REAL TIME LUT function enabling colour grading LUTs to be uploaded to an SD card and directly applied in-camera rather than in post-production.

In response to requests from professional users, functions such as Waveform Monitor, Vector Scope and Zebra Pattern have been added, as well as features such as System Frequency (24.00Hz) and Synchro Scan.

Clear and realistic 48kHz/24-bit audio can be recorded by the built-in or an external microphone, while high-resolution 96kHz/24-bit recording is possible with external and XLR microphones.

1* When the camera is used at recommended operating temperature 0-40 degrees C. 6K and 5.9K at 30p/25p video recording stops once when continuous recording time exceeds 30 minutes if [Thermal Management] is set to [STANDARD].

2* Requires USB-LAN adapter, sold separately.

Professional photo and video performance

Thanks to host of new and improved features, the LUMIX S5IIX and S5II are able to deliver truly astounding photo and video performance, including high-speed burst shooting at up to 9fps with mechanical shutter and 30fps with electronic shutter (capable of capturing up to 300 images), a 96-megapixel High Resolution Mode (JPEG/RAW) and Dual Native ISO sensitivity, which minimises noise and allows a maximum ISO of 51200 (204800 when Extended).

The LUMIX S5IIX and S5II also boast an upgraded image stabilisation system to greatly enhance handheld shooting in a wide range of conditions and situations. The new Active I.S. provides highly stable video recording by optimising horizontal, vertical and rotational correction. Compensating as much as 200%2* compared to conventional stabilisation, Active I.S. is especially effective in traditionally challenging conditions for handheld shooting, such as using telephoto lenses or filming while walking.

(1* Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used. Firmware must be updated to the latest version.)
(2* Compared with LUMIX S5. Focal length 20mm, when using S-R2060.)

Superior handling and options for ‘one-person crew’ operation

The LUMIX S5IIX and S5II offer a highly refined shooting experience, allowing creators to achieve excellent results with minimal workflow thanks to features such as AWB Lock, MF Assist (available for both video1* and photo shooting) and a new Live Crop function, which records video footage using the entire sensor surface enabling the user to crop 4K and FHD images out afterwards.

Usability is further enhanced with the new easy-to-operate 8-way joystick, expanded drive dial, 3.0-inch free-angle touch-control monitor and large, 3,680K-dot OLED Live View Finder.

1* Up to 60p. Does not work in Variable Frame Rate mode.

Class-leading reliability and connectivity

The cameras are built to robust standards for in-field use, with magnesium alloy die-cast front and rear frames and a splash- and dust-resistant1* construction.

Connectivity has been improved over the LUMIX S5, with the LUMIX S5IIX and S5II each featuring a full-size HDMI Type A terminal and high-speed USB 3.2 Gen 2, plus a cable lock holder to prevent unwanted unplugging. Wireless connectivity has been improved too, with Wi-Fi 5GHz2* joining 2.4GHz to provide fast, stable communication with smartphones and tablets.

Dual card slots (both UHS-II) support Relay Recording, Backup Recording and Allocation Recording and the 2200mAh high-capacity battery can be recharged via AC or USB.

1* Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.
2* 5GHz Wi-Fi is not available in some countries.

Future firmware update and LUMIX Pro program

Users will be able to further enhance LUMIX S5IIX and S5II performance through a future firmware update, which will add a host of functions including RAW data output and Live View Composite.

More information on the update will be announced ahead of its release.

The LUMIX S5II and LUMIX S5IIX are qualifying products for the LUMIX PRO program. The LUMIX PRO program is designed to support LUMIX users when they need it the most, with a range of benefits available to members not only in their own countries but also in countries that they visit for work. Check out www.lumix-pro.com for details and Terms & Conditions, on eligible levels, countries and products.

Panasonic LUMIX S 20-60mm F3.5-5.6 Standard Zoom Lens

Panasonic is proud to introduce a new interchangeable standard zoom lens, the LUMIX S 20-60mm F3.5-5.6 (S-R2060E), based on the L-Mount system for its LUMIX S Series full-frame mirrorless cameras. The new LUMIX S 20-60mm F3.5-5.6 is a compact, lightweight standard zoom lens that covers ultra-wide 20mm to standard 60mm focal length for both videography and photographic excellence. The wide viewing angle makes it easier to shoot indoors where room space is limited and a stunning close-up capability of 0.15m (maximum magnification 0.43x) supports table top photography. The new LUMIX S 20-60mm F3.5-5.6 also ensures smooth, high-quality video recording due to a mechanism that suppresses focus breathing.

Panasonic LUMIX S5IIX Mirrorless Camera Specifications:
TYPE:
Type Digital Single Lens Mirrorless camera
Lens mount L-Mount
IMAGE SENSOR:
Type 35mm full-frame (35.6mm x 23.8mm) CMOS sensor
Camera effective pixels / Total pixels 24.20 megapixels / 25.28 megapixels
AR (Anti Reflection) coating Yes
Aspect ratio / Colour filter 3:2 / Primary colour filter
Dust reduction system Image sensor shift type
LATITUDE 14+ stops (V-Log)
STILL IMAGE:
Recording file format JPEG (DCF, Exif 2.31), RAW
Aspect ratio 4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1
File size (Pixels):
When using full-frame lenses 3:2: 6000×4000(L) / 4272×2848(M) / 3024×2016(S) / 12000×8000(XL)* / 8496×5664(LL)*
*High Resolution mode.
4:3: 5328×4000(L) / 3792×2848(M) / 2688×2016(S) / 10656×8000(XL)* / 7552×5664(LL)*
*High Resolution mode.
16:9: 6000×3368(L) / 4272×2400(M) / 3024×1704(S) / 12000×6736(XL)* / 8496×4784(LL)*
*High Resolution mode.
1:1: 4000×4000(L) / 2848×2848(M) / 2016×2016(S) / 8000×8000(XL)* / 5664×5664(LL)*
*High Resolution mode.
65:24: 6000×2208(L)
2:1: 6000×3000(L)
When using APS-C/Super 35mm lenses 3:2: 3984×2656(L) / 2880×1920(M) / 2064×1376(S)
4:3: 3536×2656(L) / 2560×1920(M) / 1840×1376(S)
16:9: 3984×2240(L) / 2880×1624(M) / 1920×1080(S)
1:1: 2656×2656(L) / 1920×1920(M) / 1376×1376(S)
Image quality RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)
Colour space sRGB, AdobeRGB
MOTION PICTURE:
Recording file format MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes
MP4: H.264/MPEG-4 AVC, H.265/HEVC
Audio format MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**)
MP4: AAC (2ch 48kHz/16-bit)
*When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately).
SLOW & QUICK:
MOV (*1):
59.94Hz FULL [FHD] 1920×1080: 59.94p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC,
LPCM)**
59.94p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
29.97p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
23.98p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more.
**External USB-SSD recording.
APS-C [C4K] 4096×2160: 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
29.97p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
23.98p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*External USB-SSD recording.
[4K] 3840×2160: 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
29.97p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
23.98p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*External USB-SSD recording.
[FHD] 1920×1080: 59.94p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
59.94p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
29.97p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
23.98p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
23.98p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more.
**External USB-SSD recording.
50.00Hz FULL [FHD] 1920×1080: 50.00p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC,
LPCM)**
50.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
25.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more.
**External USB-SSD recording.
APS-C [C4K] 4096×216: 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
25.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*External USB-SSD recording.
[4K] 3840×2160: 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
25.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*External USB-SSD recording.
[FHD] 1920×1080: 50.00p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
50.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
25.00p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
25.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more.
**External USB-SSD recording.
24.00Hz FULL [FHD] 1920×1080: 24.00p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC,
LPCM)**
24.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more.
**External USB-SSD recording.
APS-C [C4K] 4096×2160: 24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
24.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*External USB-SSD recording.
[4K] 3840×2160: 24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
24.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*External USB-SSD recording.
[FHD] 1920×1080: 24.00p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
24.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
*Angle of view narrows if you select a frame rate with a number of frames 151 or more.
**External USB-SSD recording.
EXTERNAL USB-SSD RECORDING Yes (ON / OFF)
HDMI RAW DATA OUTPUT:
Compatible external devices ATOMOS HDMI field monitor/recorder “Ninja V+”
*Selectable recording mode depends on the firmware version of ATOMOS Ninja V+.
*Please refer to the ATOMOS website for the information on the corresponding firmware version of ATOMOS Ninja V+.
*All functions may not be available depending on the situation.
Rec quality:
59.94Hz FULL [5.9K] 5888×3312 (16:9): 29.97p, 12-bit (LPCM)
23.98p, 12-bit (LPCM)
APS-C [4.1K] 4128×2176 (17:9): 59.94p, 12-bit (LPCM)
29.97p, 12-bit (LPCM)
23.98p, 12-bit (LPCM)
[3.5K] 3536×2656 (4:3): 29.97p, 12-bit (LPCM)
23.98p, 12-bit (LPCM)
50.00Hz FULL [5.9K] 5888×3312 (16:9): 25.00p, 12-bit (LPCM)
APS-C [4.1K] 4128×2176 (17:9): 50.00p, 12-bit (LPCM)
25.00p, 12-bit (LPCM)
[3.5K] 3536×2656 (4:3): 50.00p, 12-bit (LPCM)
25.00p, 12-bit (LPCM)
Audio format LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**)
*When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately).
STREAMING:
Wi-Fi:
Protocol RTMP / RTMPS
59.94Hz [FHD] 1920×1080: 59.94p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
29.97p, 6Mbps / 3Mbps (H.264)
[HD] 1280×720: 59.94p, 6Mbps (H.264)
29.97p, 4Mbps (H.264)
50.00Hz [FHD] 1920×1080: 50.00p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
25.00p, 6Mbps / 3Mbps (H.264)
[HD] 1280×720: 50.00p, 6Mbps (H.264)
25.00p, 4Mbps (H.264)
USB Tethering:
Protocol RTMP / RTMPS
59.94Hz [4K] 3840×2160: 29.97p, 12.5Mbps (H.264)
[FHD] 1920×1080: 9.94p, 16Mbps / 8Mbps (H.264)
29.97p, 6Mbps / 3Mbps (H.264)
[HD] 1280×720: 59.94p, 6Mbps (H.264)
29.97p, 4Mbps (H.264)
50.00Hz [4K] 3840×2160: 25.00, 12.5Mbps (H.264)
[FHD] 1920×1080: 50.00p, 16Mbps / 8Mbps (H.264)
25.00p, 6Mbps / 3Mbps (H.264)
[HD] 1280×720: 50.00p, 6Mbps (H.264)
25.00p, 4Mbps (H.264)
Wired LAN:
Protocol RTP / RTSP
59.94Hz [4K] 3840×2160: 59.94p, 50Mbps / 25Mbps (H.265)*
59.94p, 50Mbps / 25Mbps (H.264)*
29.97p, 25Mbps / 12.5Mbps (H.265)
29.97p, 25Mbps / 12.5Mbps (H.264)
*When Image Area of Video is set to APS-C or PIXEL/PIXEL.
[FHD] 1920×1080: 59.94p, 20Mbps / 16Mbps (H.265)
59.94p, 16Mbps / 8Mbps (H.264)
29.97p, 12Mbps / 6Mbps (H.265)
29.97p, 6Mbps / 3Mbps (H.264)
[HD] 1280×720: 59.94p, 6Mbps (H.264)
29.97p, 4Mbps (H.264)
50.00Hz [4K] 3840×2160: 50.00p, 50Mbps / 25Mbps (H.265)*
50.00p, 50Mbps / 25Mbps (H.264)*
25.00p, 25Mbps / 12.5Mbps (H.265)
25.00p, 25Mbps / 12.5Mbps (H.264)
*When Image Area of Video is set to APS-C or PIXEL/PIXEL.
[FHD] 1920×1080: 50.00p, 20Mbps / 16Mbps (H.265)
50.00p, 16Mbps / 8Mbps (H.264)
25.00p, 12Mbps / 6Mbps (H.265)
25.00p, 6Mbps / 3Mbps (H.264)
[HD] 1280×720: 50.00p, 6Mbps (H.264)
25.00p, 4Mbps (H.264)
VIEWFINDER:
Type OLED Live View Finder
Pixels Approx. 3.68 million dots
Field of view / Magnification Approx. 100% / Approx. 0.78x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2
Eye point / Diopter adjustment Approx. 21 mm at infinity; -1.0 m-1 / -4.0 – +2.0 (dpt)
Eye sensor Yes
Display speed 120fps / 60fps
REAR MONITOR:
Type TFT LCD monitor with static touch control
Monitor size Free-angle, 3.0-inch (7.6cm), 3:2 aspect
Pixels Approx. 1.84 million dots
Field of view Approx. 100%
STATUS LCD –
FOCUS (*3):
Type Phase Detection AF system / Contrast AF system
DFD technology Yes
Focus mode AFS (Single) / AFC (Continuous) / MF
AF mode Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
*Automatic Detection can be turned ON to switch between Human/ Face/Eye/ Animal+Human. Except when Pinpoint is set.
AF detective range EV -6 – 18 (F1.4, ISO100 equivalent, AFS)
AF custom setting AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction
AF assist light Yes
AF lock Set the Fn button in custom menu to AF lock
Focus ring control Nonlinear / Linear (90/ 120/ 150/ 180/ 210/ 240/ 270/ 300/ 330/ 360/ 720/ 1080/ Maximum)
Others AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking,
1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording),
Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist,
MF Guide, Focus Ring Lock, Show/Hide AF Mode, Shutter AF, Half Press Shutter,
Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video),
Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resum
EXPOSURE CONTROL:
Light metering system 1,728-zone multi- pattern sensing system
Light metering mode Multiple / Center Weighted / Spot / Highlight Weighted
Metering range EV0-18 (F2.0 lens, ISO100 equivalent)
Mode dial Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) /
Manual Exposure (M) / Creative Video (P/A/S/M)* / Slow&Quick / Custom 1, 2, 3 / Intelligent Auto
*The same exposure operations as P/A/S/M mode is available.
Exposure compensation 1/3 EV step ±5EV (±3EV for motion picture)
ISO sensitivity (Standard output sensitivity) [Normal]
Auto / 50* / 100-51200 / 102400* / 204800* (1/3 or 1 EV step) *Extended ISO
[V-Log]
Auto / 320* / 640-51200 (1/3 or 1 EV step) *Extended ISO
[HLG]
Auto / 400-51200 / 102400* / 204800* (1/3 or 1 EV step) *Extended ISO
Dual Native ISO [Normal]
Native ISO: 100, 640
Auto: Auto / 50* / 100-51200 / 102400* / 204800* *Extended ISO
Low: Auto / 50* / 100-800 *Extended ISO
High: Auto / 320* / 640-51200 / 102400* / 204800* *Extended ISO
[V-Log]
Native ISO: 640, 4000
Auto: Auto / 320* / 640-51200 *Extended ISO
Low: Auto / 320* / 640-5000 *Extended ISO
High: Auto / 2000* / 4000-51200 *Extended ISO
[HLG]
Native ISO: 400, 2500
Auto: Auto / 400-51200 / 102400* / 204800* *Extended ISO
Low: Auto / 400-3200
High: Auto / 2500-51200 / 102400* / 204800* *Extended ISO
[Cinelike D2 / Cinelike V2]
Native ISO: 200, 1250
Auto: Auto / 100* / 200-51200 / 102400* / 204800* *Extended ISO
Low: Auto /100* / 200-1600 *Extended ISO
High: Auto / 640* / 1250-51200 / 102400* / 204800* *Extended ISO”
AE lock Set the Fn button in custom menu to AE lock
IMAGE STABILIZATION SYSTEM B.I.S. (5- axis / 5-stop*)
*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.]
Dual I.S. 2 (6.5-stop*)
*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.]
WHITE BALANCE:
White balance AWB / AWBc / AWBw / Daylight / Cloudy / Shade /
Incandescent / Flash / White Set 1, 2, 3, 4 / Colour temperature setting 1, 2, 3, 4
White balance adjustment Blue/Amber bias, Magenta/Green bias
Colour temperature setting 2500-10000K in 100K
SHUTTER:
Type Focal-plane shutter
Shutter speed Still image: Bulb (Max. 30 minutes), 1/8,000 – 60
Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 – 60
Electronic shutter: Bulb (Max. 60 sec), 1/8,000 – 60
Motion picture: 1/16,000 – 1/25
Creative Video M mode / MF mode: 1/16,000 – 1/2
Self timer 10sec, 3 images / 2sec / 10sec / Custom Time
Remote control Remote control by DMW- RS2 (sold separately)
Silent mode / Shutter type Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)
BRACKET:
AE bracket 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
Aperture bracket 3, 5 or all positions
Focus bracket 1 to 999 images, focus steps can be set in 10 levels
White balance bracket 3 images in blue/amber axis or in magenta/green axis, colour temperature setting
BURST SHOOTING:
Burst speed:
Mechanical shutter / Electronic front curtain shutter “H: 9 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Live View)
M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View)
L: 2 frames/sec (AFS/AFC/MF) (with Live View)
Electronic shutter SH30: 30 frames/sec (AFS/AFC/MF)
H: 9 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View)
M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View)
L: 2 frames/sec (AFS/AFC/MF) (with Live View)
Number of recordable images H/M/L*
RAW+JPEG: More than 200 images
RAW: More than 200 images
JPEG: More than 300 images
*Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
*When using a card with SD Speed Class with “UHS-II UHS Speed Class 3 (U3)”.
SH
RAW / RAW+JPEG / JPEG: 200 images
FLASH:
Flash type TTL External Flash (sold separately)
Synchronization speed Less than 1/250 second
*The guide number decreases at 1/250 second. Only when set to M mode or S mode.
Flash mode Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction /
Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.
Flash synchronization 1st Curtain Sync, 2nd Curtain Sync.
Flash output adjustment 1/3EV step ±3EV
Wireless control Yes (When using DMW- FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch
EXTRA TELE CONVERSION 2.0x (EX S) (When using full-frame lenses), 1.9x (EX S)
(When using APS-C / Super 35mm lenses), 1.4x (EX M) *Only for still image recording.
COLOUR SETTINGS:
Photo Style:
Photo Style Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait /
Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 /
Like709 / V-Log / REAL TIME LUT / Like2100 (HLG) / Like2100 (HLG) Full Range* / My Photo Style 1-4 (5-10)*
*Set to ON from Show/Hide Photo Style to select.
Picture adjustment Contrast / Highlight / Shadow / Saturation / Colour Tone / Hue /
Filter Effect / Grain Effect / Colour Noise / Sharpness / Noise Reduction / ISO / WB / LUT
*Adjustable settings vary depending on the Photo Style mode.
Filter Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass
LUT Library Vlog_709 / Set 1-10
*REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing,
LUT View Assist in V-Log View Assist, LUT can be applied from these settings.
MOTION PICTURE FUNCTION:
Time lapse shot Yes
Stop motion animation Yes
Live cropping Yes (Supports cropping from 5.9K (FULL) 30p/25p/24p video to 4K/FHD sizes)
SS/Gain operation Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB
Luminance level 8-bit: 0-255 / 16-235 / 16- 255
10-bit: 0-1023 / 64-940 / 64-1023
Synchro scan Yes
Master pedestal level 31 steps
Colour bars / 1kHz test tone Yes (SMPTE / EBU / ARIB) / Yes
LUT view assist Supported file types: .vlt, .cube
Monitor / HDMI
HLG view assist Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)
Anamorphic desqueeze display 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
Wave form monitor / Vectorscope Selectable
Knee control Yes (in Like709 mode)
Red REC frame indicator ON / OFF
VERTICAL POSITION INFORMATION Still image / Motion picture (ON/OFF)
LEVEL GAUGE Yes
OSD LANGUAGE Please refer to “OSD” Sheet
INTERFACE
USB USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2))
HDMI (*2):
HDMI HDMI TypeA
Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)
Monitor-through 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)
Playback 59.94Hz: C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p* / 480p*
50.00Hz: C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p* / 576p*
24.00Hz: C4K/24p / 4K/24p / 1080p
*Only for playback.
Remote input φ2.5mm
Audio:
Build-in microphone Stereo
Wind Noise Canceller: OFF / Standard / High
External microphone / External audio device input φ3.5mm for external microphone / external audio device
MIC (Plug-in Power) / MIC / LINE
Wind Cut: OFF / Low / Standard / High *When attaching 3.5mm microphone (sold separately).
Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately).
XLR microphone Yes with DMW-XLR1 (sold separately)
4ch mic input Yes with DMW-XLR1 (sold separately)
Speaker Monaural
Headphone output φ3.5mm
SD card slot Slot 1, Slot 2
SD Memory Card / SDHC Memory Card* / SDXC Memory Card*
*Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC
Memory Cards.
TC IN/OUT:
Count up Rec Run / Free Run
Time code mode Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)
HDMI time code output ON / OFF
FAN Auto1 / Auto2 / Fast / Normal / Slow* / OFF**
*Not selectable when the resolution is higher than C4K, or the frame rate is higher than 60p.
**OFF can be set when in iA/P/A/S/M mode.
WIRELESS:
Wi-Fi 2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
5GHz bands (STA) (IEEE 802.11a/n/ac)
Security: WPA/WPA2/WPA3
Please refer to “Wi-Fi” Sheet
Bluetooth Bluetooth v5.0 (Bluetooth Low Energy (BLE))
DUST AND SPLASH RESISTANT* Yes.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.
POWER:
Battery Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
USB power supply, USB power charging, USB power delivery
Battery life (CIPA standard) Approx. 370 images, 1,250 images (Power Save LVF mode*) with S-R2060
Approx. 370 images, 1,200 images (Power Save LVF mode*) with S-S50
*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
Continuous recordable time (Motion picture) (*1) MP4 [4K/60p]: Approx. 90 min (APS-C),
MP4 [FHD/60p]: Approx. 130 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged.
Actual recordable time (Motion picture) (*1) MP4 [4K/60p]: Approx. 45 min (APS-C),
MP4 [FHD/60p]: Approx. 65 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged.
Battery grip DMW-BGS5 (sold separately)
DIMENSIONS / WEIGHT:
Dimensions (W x H x D) Approx. 134.3 x 102.3 x 90.1 mm / 5.29 x 4.03 x 3.55 inch (Body only, excluding protrusions)
Approx. 134.3 x 102.3 x 157.0 mm / 5.29 x 4.03 x 6.19 inch (with S-R2060, excluding protrusions)
Approx. 134.3 x 102.3 x 151.8 mm / 5.29 x 4.03 x 5.98 inch (with S-S50, excluding protrusions)
Weight Approx. 740g / 1.64 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap)
Approx. 657g / 1.45 lb (Body, Hot Shoe Cover) (excluding body cap)
OPERATING ENVIRONMENT:
Operating temperature (*3) 0℃ to 40℃ (32℉ to 104℉)
Operating humidity 10%RH to 80％RH

Panasonic LUMIX S 20-60mm F3.5-5.6 Standard Zoom Lens – L Mount (p/n S-R2060E)

Compact, lightweight standard zoom lens
Covers ultra-wide 20mm to standard 60mm focal length for both videography and photographic excellence.
The wide viewing angle makes it easier to shoot indoors
Close-up capability of 0.15m (maximum magnification 0.43x) supports table top photography
Smooth, high-quality video recording due to a mechanism that suppresses focus breathing.