Panasonic AW-UE160 4K PTZ Camera – Black

Overview
Please note that the pricing for the 4K PTZ Camera is subject to change due to exchange rate fluctuations. This camera is designed for those seeking enhanced creativity and visual expression in the video content market. It can be used in various situations, including large-scale events and studio recording and streaming, while still maintaining cost control and managing the flow of people. By combining a system camera with a PTZ Camera, it offers a unique style of video production with industry-leading shooting performance and scalability to support the latest international standards and a wide range of protocols and interfaces.

The AW-UE160 boasts a high sensitivity of F14/2000 lx, equivalent to a studio camera, allowing for clear and clean images even in low light conditions. Its newly developed image processing engine, also used in LUMIX, offers improved noise reduction and image quality. The camera also features a new PDAF function for high-speed focusing on moving subjects, making it suitable for shooting in dark places and capturing moving subjects. Additionally, its newly developed PTZ mechanism provides high-precision operation while maintaining a compact body, contributing to uncompromising video shooting. Other features include moiré reduction, V-Log compatibility, and a new AF system that combines phase detection and contrast detection for fast and accurate focusing.

Summary
Focal Length: 8.8-176mm
Max Aperture: f/2.8
Lens Zoom: 20x Optical Zoom
Resolution and Frame Rate: 4K
Sensor: MOS
Video Outputs:
12G-SDI
3G-SDI
Ethernet
USB 3.0
Weight: 2-5kg
Included in box
1x Panasonic (AW-UE160K) 4K PTZ Camera – Black

About the Panasonic AW-UE160 4K PTZ Camera – Black
Please Note: Pricing subject to change due to any exchange rate fluctuation

4K PTZ Camera for an era of enhanced creativity and the pursuit of visual expression

Demand continues to grow in the video content market

The AW-UE160 can be used in a variety of situations even when the flow of people and cost control are required, including shooting large-scale events and studio recording and streaming.

By combining a system camera with a PTZ Camera, it overturns the conventions of the video content industry with its unique style of video production that can be expressed through a variety of shooting techniques, its industry-leading shooting performance with a variety of new functions, and its scalability to support the latest international standards and a wide range of protocols and I/Fs.

High sensitivity of F14/2000 lx, equivalent to a studio camera. Noise reduction and improved image quality are realized by the newly developed image processing engine also used in LUMIX. By combining a variety of functions, including the Phase Detection Autofocus (PDAF) function, a new feature in the PTZ Camera that enables high-speed focusing on moving subjects, the camera can produce high-quality videos in all kinds of situations, such as shooting in dark places and shooting moving subjects. The new PTZ new mechanism provides a high-precision operating feel while maintaining a compact body to support the delicate photographic techniques of professionals and contribute to uncompromising video shooting.

High sensitivity of F14/2000 lx, equivalent to a studio camera

The high sensitivity of F14/2000 lx allows for clear, clean images even when shooting moving subjects in dimly lit rooms such as stages and live venues. The sensitivity can be set to either Normal mode or High Sensitivity mode, depending on the shooting location and scene.

New generation engine that maximizes image sensor performance and improves image quality and AF performance

The camera uses a new-generation image processing engine, also used in the LUMIX GH6, with improved processing power. High-pixel image data output from the 1-type (1“) (effective size) MOS sensor, which offers an excellent balance between adequate depth of field, high image quality and high sensitivity, is processed at high speed to improve the S/N ratio.

In terms of autofocus (AF) performance, the subject detection performance has been greatly improved through faster processing of calculations and improved AF algorithms, and highly accurate AF is achieved by discriminating between the subject’s movement and characteristics. It also offers high video processing performance and enables more unique video expression with resolution performance, high sensitivity performance, and colour reproduction that does not compromise your commitment to video image creation.

* At 4K24p (aspect ratio 17:9)

New noise reduction (sD)
Realizes more natural and three-dimensional rendering with less noise than ever before, with improved performance in suppressing unpleasant colour low-frequency noise and pleasant noise graininess.

Afterimage-less 3DNR
Significantly improves the ability to distinguish between still and moving areas and eliminates unwanted noise while suppressing afterimages.
New Intelligent Detail
Analyzes the characteristics of the subject pixel by pixel and determine flat/detailed/edge areas. By controlling image processing based on the results, detailed areas are rendered with a greater sense of resolution, while edge areas are suppressed from unnatural fringing (shoot phenomenon) caused by image processing. By performing appropriate image processing according to the subject, the camera realizes true descriptive power with high reproducibility.

Equipped with newly developed PDAF (Phase Detection Autofocus)

Equipped with a new AF system that combines phase detection AF (phase detection) with contrast AF (contrast detection). The camera’s fast focusing speed and high focusing accuracy enable it to track subjects and capture in-focus images even in dark locations, whether it is continuously focusing on a moving subject or switching focus on multiple subjects.

Equipped with newly developed PTZ mechanism

A new PTZ mechanism was developed to maintain the compact body while incorporating a large lens for high sensitivity and system camera-level functions. The camera is quiet and does not disturb the photographer, and its high static accuracy provides high operability that allows the photographer to shoot exactly what he/she aims for.

Equipped with moiré reduction function by optical low-pass filter

Compatible with V-Log, which is used in Panasonic’s high-end VariCam cinema cameras and LUMIX mirrorless SLR cameras. The wide dynamic range and wide colour gamut provide images suitable for colour grading. When used in conjunction with our camera recorders and studio cameras equipped with V-Log, video production with consistent image creation is possible. In addition, two settings, V-Log and V-709, can be selected independently for each output interface. Simultaneously output 4K V-Log video for colour grading while outputting Full HD V-709 video for onsite monitoring.

Compatible with V-Log

Compatible with V-Log, which is used in Panasonic’s high-end VariCam cinema cameras and LUMIX mirrorless SLR cameras. The wide dynamic range and wide colour gamut provide images suitable for colour grading. When used in conjunction with our camera recorders and studio cameras equipped with V-Log, video production with consistent image creation is possible. In addition, two settings, V-Log and V-709, can be selected independently for each output interface. Simultaneously output 4K V-Log video for colour grading while outputting Full HD V-709 video for onsite monitoring.

What is Log

It has a wide colour gamut and wide dynamic range, and records all brightness as evenly as possible, resulting in a low-contrast image in appearance.

The colour grading tool allows a high degree of freedom in image creation using 3D LUTs and CDLs.

V-Log is a log curve developed for the VariCam cinema cameras based on our image creation philosophy and is used in many of our cameras.

Compatible with HDR (HLG)

Compatible with HDR (High Dynamic Range) which prevents white-out and blackout and produces images that are close to those of the naked eye. Compliant with HLG/BT 2020.

Equipped with Optical Image Stabilization (OIS) and Electronic Image Stabilization (EIS)

In addition to the conventional 2-axis in-lens image stabilization (Pitch/Yaw), which is based on fine-tuning of the lens, the camera also features roll correction that uses electronic image processing technology to provide highly effective correction. Vibrations on the mounting surface caused by installed audio equipment, opening and closing of doors, etc. are automatically compensated for to ensure stable imaging.

Realise next-generation video production with various shooting methods and functions

First PTZ Camera to be equipped*1 with the SMPTE ST2110 standard*2, 5G mobile router (USB thethering support) for high-speed, high-capacity video transmission (USB tethering support, return function for use as a prompter for performers, and two XLR channels for audio output to enable high-quality recording. It also supports essential functions for use with a system camera, such as a maximum 2x high-speed shooting function and a tally lamp on the rear panel.

The AW-UE160, which has been updated to specifications equivalent to those of a system camera while maintaining the flexibility of a PTZ Camera that can be freely set to any position and angle, can be applied to both use and replacement of a system camera, giving users a wide range of options for future video expression and production.

*1: As of October 2022, according to our research.
*2: Activation with the separately sold software key AW-SFU60G (released at the same time as AW-UE160) is required.

Industry’s first*1 SMPTE ST2110 standard*2 compatibility

The first PTZ Camera to support the SMPTE ST 2110 standard for video transmission over IP networks*1. By constructing an IP-based studio system in combination with the IT/IP platform “KAIROS” or AK-UC4000/AK-UCU600/AK-NP600, it is possible to improve the efficiency of the video production site.

*1: As of October 2022, according to our research.
*2: Activation with the separately sold software key AW-SFU60G (released at the same time as AW-UE160) is required.

SMPTE ST 2110 Professional Media Over Managed IP Networks

The SMPTE standard is an international standard that brings together several standards for communicating video over IP networks. The standardization of this standard has made it possible to handle individual data such as video, audio, and auxiliary data, enabling highly accurate synchronization.

The switch from SDI to IP-based transmission is underway in the broadcasting and video industry as a result of the standardization of the SMPTE ST2110 standard.

Industry’s first*1 return input function

The camera can be used as a prompter for return images and manuscript displays where the performer checks the video being streamed or broadcast on the spot*2, allowing adjustment and shooting to the targeted angle when performing chroma key compositing or when linking with AR/VR systems.

*1: As of October 2022, according to our research.
*2: SMPTE ST2110 is required to build the system; use of SMPTE ST2110 requires activation with software key AW-SFU60G (sold separately).

Supports 2x high-speed output

The camera captures smooth and beautiful slow-motion video by performing high-speed shooting at FHD 120 fps so not a single frame of the decisive moment is missed.

*1: fps is a unit of frames processed per second.
*2: Output from HDMI output or 2 SDI OUTs (3G SDI OUT1, 3G SDI OUT2). When outputting using 2 SDI OUTs, a separate slow-motion server is required.

Equipped with 2 XLR channels for audio input to enable high-quality recording

The camera is equipped with two XLR channels for audio input, allowing audio input from the left and right sides of the venue with high-performance microphones. It can also be used for filming at live performances, theatrical performances, and other sites where the acoustics are vital.

Industry’s first* 5G router (with USB tethering support for high-speed, high-capacity video transmission)

4K video data can be wirelessly transmitted on the spot by connecting a 5G mobile router or other devices via USB to the terminal on the rear panel. It is also possible to broadcast events and live streams from locations where cables are not laid or from outdoor event venues.

* As of October 2022, according to our research.

Equipped with a rear tally lamp

The tally, which was only available on the front (subject side), is now also available on the rear (photographer side) so that you can see the camera taking pictures from any angle. The tally lamp can be linked to the front and rear sides to set the brightness and select ON/OFF. The yellow tally lamp can be used for any number of applications, such as when there are a large number of cameras, when multiple cameras are used on site, or when simultaneous streaming and recording are required.

FreeD*1 Support for Construction of AR/VR*2 Systems

It is possible to connect Augmented Reality (AR) / Virtual Reality (VR) systems by outputting FreeD compliant commands. The camera’s tracking information (PAN/TILT/Zoom/Focus/Iris) is output in conjunction with the synchronizing signal, making it possible to easily build a system without an encoder.

*1: FreeD is a protocol that outputs camera tracking data for AR/VR systems.
*2: AR: Augmented Reality; VR: Virtual Reality

Flexibility to freely set positions and angles

It is possible to shoot from high angles using ceiling mounts and totems, as well as low angles from in front of the audience or from the stage. It can be installed in space-saving areas where equipment cannot be placed or where it is difficult to deploy staff, thereby improving efficiency in video production.

Ease of use and versatility reduces the stress of shooting on-site

Equipped with a wide variety of I/Fs and protocols that can be connected to all types of imaging sites and systems and reduce the burden of introduction to existing system construction. The use of scene files, color matrix control, and other functions that facilitate image and color matching with existing system cameras and PTZ Cameras, as well as Panasonic’s free software and Remote Operation Panel (ROP), which allow for the integrated management of existing cameras, makes mixed operation with system cameras even easier.

Various I/Fs and supported protocols

Supports HDMI, 3G-SDI, and IP output as well as 12G-SDI output and fiber-optic output. Also equipped with two XLR channels for audio input. The output method can be selected to suit the operation, making it easy to add to an existing imaging system or build a system tailored to the site.

In addition, there are no restrictions on the video output method, even when outputting from multiple terminals simultaneously, allowing simultaneous operation in 4K. For example, it is possible to set up a system that operates with three main lines (12G-SDI), one for confirmation (3G-SDI OUT1), and one for monitor display (3G-SDI OUT2).

High image quality and low latency with high bandwidth NDI support

High bandwidth NDI and high-efficiency low bandwidth NDI|HX, which encode and transmit high-quality video in real-time, are included. High bandwidth NDI transmits 4K video at a maximum of 250 Mbps and full HD video at a maximum of 125 Mbps, enabling high-quality, low-latency live video transmission.

SRT support for stable video transmission over public lines

SRT, a next-generation video transmission protocol with strong security suitable for unstable network environments, is supported.

Direct Broadcast via RTMP/RTMPS

RTMP/RTMPS* is supported to enable the direct upload of video to live-streaming services such as YouTube Live and Facebook Live. This means a live stream can be broadcast directly from the camera.

Smooth image and colour matching

The scene file functions can record and update various camera settings in eight scene formats. They can also be copied to multiple cameras via a PC*.

Colour matrix control allows sensory adjustment of color on the screen, making colour matching easier.

The workload for image and color matching can be reduced, which reduces the time and effort required to introduce the system and prepare for shooting.

* Scene file copy using AW-RP150GJ/AK-HRP1010 and SD card will be supported in the future.

Waveform display function

It is possible to set the superimposed waveform monitor display on the monitor output (3G SDI OUT2). The waveform can be selected from the upper right/bottom right/upper left/bottom left of the monitor screen to be displayed, making it easy to make adjustments while viewing the actual image.

Horizontal level gauge display function

Horizontal level gauge has been added to the OSD/WEB screen so that you can check whether the installation is level or not.

Compatible with free-to-download Panasonic software

PTZ Control Center
PTZ cameras can be controlled intuitively on the PC screen. The camera’s Pan, Tilt, Zoom, as well as Focus, Iris, Gain, White Balance, Shutter, ND Filter and other image quality adjustments can be performed. In addition, up to 100 presets can be displayed with thumbnails for speedy recall.

EasyIP Setup Tool Plus
Detect and displays a list of Panasonic PTZ Cameras connected to the PC. You can check camera information such as IP address and version number and configure camera settings, and firmware updates are easy.

(Win) EASY IP Setup Software – Professional Camera Solutions | Panasonic Business

Compatible with Panasonic Remote Operation Panel (ROP)

By using Panasonic’s ROPs such as AK-HRP1015, AK-HRP1010*, and AK-HRP250GJ*, PTZ cameras and studio cameras can be operated and managed with the same equipment, allowing those familiar with studio camera operation to feel at ease.

*Only IP connection is available with AW-UE160W/K. For other cameras that can be connected to various ROPs, please check the “Controller Comparison Models List. PDF”

Power Requirements 12VDC±10%(10.8V to 13.2V)
PoE++ IEEE802.3bt standard :DC 42 V to 57V (Camera Input)*Limited in function when PoE
used.(Software authentication (LLDP) is supported))
Current Consumption 5.0 A (XLR IN connector), 1.5A (PoE++ power supply)
Ambient Operating Temperature 0 °C to +40 °C (32 °F to +104 °F)
Ambient Operating Humidity 20 % to 90 % (no condensation)
Storage Temperature –20 °C to +50 °C (–4 °F to +122 °F)
Mass Approx. 4.6kg (10.14lbs) (excluding mount bracket)
Dimensions (W x H x D) 213.0 mm x 277.0 mm x 240.0 mm(8.39inches x 10.91inches x 9.45inches)
[excluding protrusions, cable cover, ceiling mount bracket]
Finish AW-UE160K : Black
Controller Supported AW-RP150，AW-RP60，AK-HRP1010，AK-HRP1015，AK- HRP250
*Other ROP will be compatible in the future.
Imaging Sensors 1-type (1″) 4K MOSx1
Effective Pixels: Approx. 9,620,000 pixels
Lens Motorized Optical 20xZoom F2.8 to F4.5(f=8.8 mm to 176.0 mm,35mm
equivalent:24.5 mm to 490.0 mm)i.Zoom, D.Extender
Conversion Lens Not Supported
Angle of View Range Horizontal: 75.1°(wide) to 4.0°(tele)
Vertical: 46.7°(wide) to 2.3°(tele)
Diagonal: 82.8°(wide) to 4.6°(tele)
Optical Filter Through、1/4, 1/16, 1/64 *equipped with Low pass filter(Through is used as “night
mode”)
Focus Switching between auto and manual
Focus Distance Entire zooming range: 1000 mm, Wide end: 100 mm
Colour Separation Optical Systems 1MOS
Standard Sensitivity F11/2,000lux (Normal), F14/2,000lux
Minimum Illumination 2lx(F2.8, 59.94p, 50IRE, +42dB, without accumulation)
Horizontal Resolution 1,600 TV Typ (center area, UHD Mode, Wide)
Gain Selection Auto, 0dB to 36dB *1 dB step increments can be set.
Frame Mix Auto, 0dB, 6dB, 12dB, 18dB, 24dB*If format is set in 2160/29.97p, 2160/23.98p,
2160/24p, 2160/25p, 1080/29.97p, 1080/25p, it cannot be set.
Electronic Shutter Speed 60p/59.94p/59.94i:
1/100, 1/120, 1/125, 1/250, 1/500, 1/1,000, 1/1,500, 1/2,000
29.97p:
1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/125, 1/250, 1/500, 1/1,000, 1/1, 500, 1/2,000
23.98p/24p:
1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/125, 1/250, 1/500, 1/1,000, 1/1,500, 1/2,000
50p/50i:
1/60, 1/100, 1/125, 1/250, 1/500, 1/1,000, 1/1,500, 1/2,000
25p:
1/48, 1/50, 1/60, 1/96, 1/100, 1/125, 1/250, 1/500, 1/1000, 1/1,500, 1/2,00
59.94p/120fps:
1/125, 1/250, 1/500, 1/1,000, 1/1,500, 1/2,000
50p/100fps:
1/125, 1/250, 1/500, 1/1,000, 1/1,500, 1/2,000
Synchro Scan 60p/59.94p/59.94i:60.00Hz to 7,200Hz
29.97p:30.00Hz to 7,200Hz
23.98p:24.00Hz to 7,200Hz
50p/50i:50.00Hz to 7,200Hz
25p:25.00Hz to 7,200Hz
59.94p･120fps:120Hz to 7,200Hz
50p･100fps:100Hz to 7,200Hz
Gamma HD/NORMAL/CINEMA1/CINEMA2*HLG is set in other menuMASTER GAMMA
(0.15~0.75)R GAMMA (-75~+75)B GAMMA (-75~+75)
White Balance ATW,3200K, 5600K
ATW Speed : Normal / Slow / Fast
AWB-A,AWB-B
VAR (selectable between 2000 K and 15000 K by designating a value)
Chroma Amount Variability OFF, -100% to 40%
Scene File Scene 1 to 8
Output Format (UHD/FHD SDI) 4K2160/59.94p, 2160/50p, 2160/29.97p(Native),
2160/25p(Native), 2160/24p(Native), 2160/23.98p(Native) HD1080/119.88p,
1080/100p, 1080/59.94p, 1080/50p, 1080/29.97p(Native), 1080/25p(Native),
1080/24p(Native), 1080/23.98p(Native), 1080/59.94i, 1080/50i, 720/59.94p,
720/50p*1080/119.88p and 1080/100p use two 3G/SDI OUTPUT1/2 channels.*No
output from 12G/SDI.
Output Format (HDMI) 4K
2160/59.94p, 2160/50p, 2160/29.97p(Native), 2160/25p(Native),
2160/24p(Native), 2160/23.98p(Native)
HD
1080/119.88p, 1080/100p, 1080/59.94p, 1080/50p, 1080/29.97p(Native),
1080/25p(Native), 1080/24p(Native), 1080/23.98p(Native),
720/59.94p, 720/50p
Output Format (Fiber(Only Video)) 4K
2160/59.94p, 2160/50p, 2160/29.97p(Native), 2160/25p(Native),
2160/24p(Native), 2160/23.98p(Native)
HD
1080/59.94p, 1080/50p, 1080/29.97p(Native), 1080/25p(Native),
1080/24p(Native), 1080/23.98p(Native), 1080/59.94i, 1080/50i,
720/59.94p, 720/50p
Output Format (ST2110) HD
1080/59.94p, 1080/50p, 1080/29.97p(Native), 1080/25p(Native),
1080/24p(Native), 1080/23.98p(Native), 720/59.94p, 720/50p
Synchronization System Internal/External synchronization (BBS/Tri-level sync)
Input DC 12 V IN, G/L IN(BNC)
G/L In BBS (Black Burst Sync), tri-level sync supported)
AUDIO INPUT 1/2 XLR(2ch) or MIC/LINE Input compatibles /HDMI /IP)AAC compatibility (compatible
with IP only)XLR3 female balanced input 2chDuring MIC inputInput level: -50dBu or
-60dBu/-40dBu(0 dB=1 V/Pa, 1 kHz)Phantom power compatible､Supply voltage:47
V±2 VInput impedance:Approx. 10kΩDuring LINE inputInput level :0 dBu ( or
+4dBu/-20dBu)Input impedance:Approx. 10kΩInput volume variable range: -40 dB
~0dB~+20 dB(1 dBstep)Embedded audio output level:-12
dBFS/-18dBFS/-20dBFS Sampling frequency:48 kHz Quantization bit rate : 24
bit(SDI, HDMI), 16bit(IP)
HDMI HDMI 2.0 connector
4:2:2/10bit
HDCP is not supported.
Viera Link is not supported.
12G SDI OUT SMPTE2082-1, SMPTE424M /SMPTE292M / 75 Ω(BNC×1)
*Level-A/Level-B supported
3G SDI OUT1 SMPTE424M /SMPTE292M / 75 Ω(BNC×1) *Level-A/Level-B supported
3G SDI OUT2/PM SMPTE424M /SMPTE292M / 75 Ω(BNC×1) *Level-A/Level-B supported
SFP+ SFP+ standard (Single Fiber)
*This unit does not support input by optical signals
SFP+ (ST2110) ST2110-10/-20/-21/-30
USB USB3.0 HOST(5G mobile router with USB tethering support)
LAN LAN connector for IP control (RJ-45)
RS-422 CONTROL IN RS422A (RJ-45)
SFP+(ST2110) compatible protocol:
-ST2110-10/-20/-21/-30
-PTP ST2059-2
-NMOS IS-04/IS-05
output number:video x3(Full, Crop, Monitor), Audio x2
Input number:video x1(RETURN)
Video format:FHD *Same as system format
IP Connecting Cable if you have PoE++ ethernet hub
LAN cable *1( category 5e or above､straight cable)Max100 m
If you don’t have PoE++ ethernet hub
LAN cable *1( category 5e or above､straight cable)Max100 m
*1 STP(Shielded Twisted Pair) is recommended
*2 Category 6 or above is used for 4K video transmission.
AW Protocol Connecting Cable LAN cable* (category 5e or above, straight cable) Max1000 m
*STP (Shielded Twisted Pair) is recommended
Installation Method Stand-alone (Desktop) or suspended (Hanging)
Pan/Tilt Operation Speed Speed range:0.08 °/s ~1800°/s( Normal mode) *3 speed modes installed
Normal:~60°/s,Fast1:~90°/s,Fast2:~180°/s
Panning Range ±175°
Tilting Range -30°~ 210
Quietness NC35 or less *When standing still, NC25 or less
Windows Windows 10
Microsoft Edge
Google Chrome
Mac macOS 10.13 / Safari 13
macOS 10.14 / Safari 13
macOS 10.15 / Safari 13
macOS 10.15 / Google Chrome
iPhone / iPad / iPod touch iOS, Safari, iPadOS
Android Android OS
Google Chrome
Image Streaming Mode JPEG(MJPEG), H.264, H.265, NDI/HX Ver2, High Bandwidth NDI
Image Resolution 3840×2160, 1920×1080, 1280×720, 640×360
Image Transmission setting (JPEG) Frame rate : Max 30fps
*No bit rate specified
*JPEG and H.264, JPEG and H.265 simultaneous operation depends on bit rate
Image quality(Fine/Normal)
Image Transmission Setting (H.264) Transmission Type : Unicast port (AUTO)
Unicast port (MANUAL)
Multicast port
Transmission mode :CBR, VBR
Frame Rate
[60Hz]
5fps/15fps/30fps/60fps (UHD : 30fps,60fps)
[50Hz]
5fps/12.5fps/25fps/50fps (UHD : 25fps,50fps)
Max to Min Bit Rate
2048kbps/4096kbps/8192kbps/10240kbps/12288kbps/14336kbps/20480kbps/2457
6kbps/51200kbps/76800kbps
Image Transmission Setting (H.265) Transmission Type : Unicast port (AUTO)
Unicast port (MANUAL)
Multicast port
Transmission Mode :CBR,VBR
Frame Rate
[60Hz]
30fps / 60fps
[50Hz]
25fps / 25fps
Max to Min Bit Rate
2048kbps/4096kbps/8192kbps/10240kbps/12288kbps/14336kbps/20480kbps/2457
6kbps/51200kbps/76800kbps
Audio Compression Type AAC-LC, 48kHz/16bit/2ch
Supported Protocol Network Protocol:
ICMP, ARP, GARP, MLD
Transmission Protocol:
TCP/IP, UDP/IP
Application Protocol:
IPv4 : HTTP, HTTPS, DNS, NTP, DHCPv6,MDNS, SNMP, 802.1X
IPv6 : HTTP, HTTPS, DNS, NTP, DHCPv4, MDNS, SNMP, 802.1X
Video Streaming Protocol:
RTP/RTCP over RTSP, RTMP, RTMPS, SRT, MPEG2-TS over UDP,
NDI/HX version 2, High bandwidth NDI, RIST
External Device Cooperation Protocol:FreeD, TSL5.0, SNMP
Output Format (High bandwidth NDI) 4K
2160/59.94p, 2160/50p, 2160/29.97p, 2160/25p, 2160/24p, 2160/23.98p
HD
1080/60p, 1080/59.94p, 1080/50p, 1080/29.97p, 1080/25p, 1080/24p,
1080/23.98p､720/59.94p, 720/50p
Image Resolution (NDI HX Ver.2)/ 1920×1080, 1280×720
Image Streaming Setting High Bandwidth NDI
Transmisiion Type : TCP /UDP
Unicast/Multicast
Bit Rate : Max 250Mbps
NDI/HX version.2:
Transmission Type : TCP/UDP
Unicast/Multicast
Frame Rate
[60Hz]
5fps/15fps/30fps/60fps
[50Hz]
5fps/12.5fps/25fps/50fps
Max Bit Rate
512kbps/768kbps/1024kbps/1536kbps/2048kbps/3072kbps/
4096kbps/6144kbps/8192kbps/10240kbps/12288kbps/14336kbps/
16384kbps/20480kbps/24576kbps
Audio Compression Type 2 High Bandwidth NDI:AAC, 48kHz, 2ch
NDI/HX Ver.2:AAC-LC, 48kHz/16bit/2ch
Supported Format ST2110:10/20/21/30
PTP:ST2059-2
NMOS:IS-04/IS-05
Number of Output (TX) Video:3 line (Full x1, MONI x1.Crop x1)
Audio:2 line
Auxiliary data:No output
Number of Input (RX) Video:1 line(RETURN) *Out from 3G SDI OUT2(Video is changed in the OSD menu)
Audio:No input
Auxiliary data:No input
Output Format Video Format(Full x1, MONI x1.Crop x1, all of these same format)1080/60p(Just),
1080/59.94p, 50p, 1080/59.94i, 50i, 1080/29.97p(Native)25p(Native),
1080/24p(Just), 1080/23.98p(Native), 720/59.94p, 50pAudio Specification
MIC1/2PCM/48khz/24bit/1ch x2
Input Format Video Format (Full x1, MONI x1.Crop x1, all of these same format)1080/60p(Just),
1080/59.94p, 50p, 1080/59.94i, 50i, 1080/29.97p(Native)25p(Native),
1080/24p(Just), 1080/23.98p(Native), 720/59.94p, 50p
HDR/SDR HLG/BT.2020 compatible, SDR/BT.709 compatible
Cropping Select from 3 types of images from 3G/SDI_OUTPUT2, Crop Zoom available
F Number Display Displayed on the AW-RP150 and AW-RP60 sides
NDI AW-UE160:High Bandwidth NDI, NDI/HX Ver.2 included as standard
IP menu display supported *Non-synchronous with SDI-OUT
VR (FreeD) (IP/RS422) supported
Power LED ON/OFF control
Tripod Screw Penetration Measures Yes
Image Stabilization OIS 2-axis + Hybrid method of roll direction correction
MENU switching :select between OFF/OIS/Hybrid(Stable)/Hybrid(Pan/Tilt)
Privacy Mode The lens surface faces downward when standing by (ON/OFF)
Yellow Tally supported
PTP supported
5G/WiFi 6 Compatible with recommended products only
WFM display Output with video superimposed from 3G/SDI_OUTPUT2
Return Video Output Output return video input from ST2110, NDI via SDI_OUT2
Horizontal Level Gauge ON/OFF control in OSD MENU
Wireless Remote Controller AW-RM50AG（Size “AA” dry battery x 2, obtained separately）
* This specification is under development and is subject to change at the time of release.