OM SYSTEM E-M5 Mark III 12-45mm Kit – Silver

Overview
The M.Zuiko Digital ED 12–45mm F4 PRO lens is incredibly portable and lightweight, weighing only 254 grams. Despite its compact size, it still boasts an ultra-fast autofocus and is dustproof and splashproof, making it perfect for any photo assignment. The lens also delivers high resolution images with sharp details and beautiful defocusing effects, thanks to its renowned M.Zuiko engineering and ZERO coating. It also has superb macro capabilities, allowing for wide-angle and telemacro shooting, as well as supporting Focus Stacking for stunning macro expressions.

The E-M5 Mark III system, paired with any M.Zuiko Digital lens, offers ultimate mobility without sacrificing image quality. The 20M Live MOS Sensor, TruePic VIII image processor, and five-axis image stabilization work together to produce brilliant images, even in low light conditions. The camera also features a high-resolution electronic viewfinder, precise autofocus, and weather-sealed construction, making it perfect for any weather condition. For videographers, the E-M5 Mark III offers ultra-high C4K movie-making and Full HD at 120fps, along with renowned Olympus IS for stable footage. Overall, the E-M5 Mark III is a versatile and high-performing camera that allows for creative freedom and mobility.

Summary
Native ISO: ISO 200
Lens Mount: MFT
Audio Inputs: Internal Mic
Image Stabilisation: Yes
Battery Mount / Type: BLS‑50
Media Type: SD
Photo Resolution: 20.4 megapixels
Sensor: 4/3 Live MOS
Video Outputs: HDMI
Weight: 0-2kg
Wi-Fi: Yes
Included in box
1x Camera Body (Silver)
1x EZ-M1245 PRO Lens with Hood & Wrapping Cloth
1x FL‑LM3 Flash
1x BLS‑50 Lithium‑Ion Battery
1x Shoulder Strap
1x Micro Four Thirds body cap (BC‑2)
1x Operating Instructions
1x Warranty Card
1x CB‑USB12 USB cable

About the OM SYSTEM E-M5 Mark III 12-45mm Kit – Silver
Olympus releases the long-awaited E-M5 Mark III + ED 12-45mm F4 PRO

Not long ago, Olympus launched the world’s most compact and lightweight high-performance standard zoom lens M.Zuiko Digital ED 12-45mm F4 PRO.* Paired with the similarly endowed OM-D E-M5 Mark III creates a combination that is a joy to use. The acclaimed weather-sealing allows for shooting in all conditions.

M.Zuiko Digital ED 12-45mm F4 PRO

The world’s most compact, lightweight* standard zoom lens ‑ the beautiful, soft bokeh effects you want. The M.Zuiko Digital ED 12‑45mm F4 PRO is the epitome of compact, lightweight lens design, while delivering high resolution across the entire zoom range and amazing macro performance. The M.Zuiko Pro series of lenses is renowned for its brilliant optics and dustproof/splashproof construction ‑ everything you can expect with the M.Zuiko Digital ED 12‑45mm F4 PRO.

Olympus OM-D E-M5 Mark III

Seeking adventure and exploring new places is in your DNA. Try the OM-D E-M5 Mark III. It’s compact enough to go anywhere and never get in your way. Lightweight enough to shoot all day without getting exhausted. Fuel your interest in photography with an impressive range of pro technology: A powerful image stabilisation system. Advanced autofocusing. Lightning-fast sequential shooting. And more. The E-M5 Mark III. Break free from big cameras and begin enjoying the freedom of shooting with Olympus.

The E-M5 Mark III features a weather-sealed construction, high-performance autofocus capabilities and a powerful image stabilisation system along with versatile shooting features to deliver brilliant image quality and an extensive array of creative options for photographers and filmmakers. Even when paired with professional-grade M.Zuiko PRO lenses, the overall camera system remains so small in size that it can be taken anywhere.

At up to half the size and weight of other interchangeable lens systems, Olympus’ biggest advantage is an amazing mobility thanks to the compact, lightweight camera system, including lenses. The combination of their high-resolution, high-performance lens line-up and powerful image stabilisation capabilities results in sharp, high-quality photos and videos in a variety of scenarios. Packing some of the latest imaging technologies in a very small body, the new OM-D E-M5 Mark III represents these benefits to the fullest.

Advanced imaging technology in an ultra-small, weather-sealed body ensures high image quality in any environment

All parts in the OM-D E-M5 Mark III have been miniaturised in an effort to provide the smallest body possible. Being one of the most compact and lightweight cameras in its class, the E-M5 Mark III can easily be carried on any trip even when paired with a large-diameter standard zoom lens.

The E-M5 Mark III boasts a combination of the 20.4 Megapixel Live MOS sensor and the high-speed TruePic VIII image processor known from Olympus’ flagship model OM-D E-M1 Mark II as well as a new compact in-body 5-axis image stabilisation system. When paired with high-resolution M.Zuiko lenses, the E-M5 Mark III is capable of capturing images with minimal noise even at high ISO settings, and delivers brilliant image quality with minimal distortion up to the edges of the shot.

The camera body is dust-, splash-, and freeze proof so users can focus on their shooting results without worrying about the weather conditions*.

Olympus’ acclaimed SSWF (Super Sonic Wave Filter) sensor-cleaning technology drastically reduces the amount of dust and dirt that may end up in photos or video by vibrating the image sensor filter 30,000 times per second when turning the camera on.

The iconic design of the OM-D E-M5 Mark III body is reminiscent of the original OM-D and was further improved for operability by adding thumb rests on the back with an enlarged grip to provide a more solid hold on the camera.

High-speed, high-precision autofocus with 121 all cross-type AF points for greater focusing freedom

The OM-D E-M5 Mark III is equipped with Olympus’ renowned 121-point all cross-type On-chip Phase Detection autofocus (AF) system with different single and group target options. The benefits of using AF across a wide range of the frame already delighted users of the professional model OM-D E-M1 Mark II. Unlike the autofocus in DSLR cameras, there is no degradation in AF precision when using a fast lens.

The E-M5 Mark III offers high-precision, high-speed focusing from the maximum aperture setting of all M.Zuiko lenses regardless of subject patterns. The algorithm has been further improved over previous models, preventing the focus from unexpected jumping to the background even in mixed perspective scenes with near and far subjects. To capture subjects with intense movements – such as in sports or wildlife photography – the E-M5 Mark III allows up to 10 fps high-speed sequential shooting in AF/AE tracking. The moving subject tracking algorithm utilises AF information from both Live View and recorded images to enable quick tracking of unpredictable subject movement and changes in subject speed.

The high-speed, high-precision AF of the OM-D E-M5 Mark III brings out the full potential of the distinguished MSC (Movie & Still Compatible) mechanism enabling fast and quiet autofocusing in M.Zuiko lenses.

Equipped with a new compact image stabilisation unit and in-body 5-axis IS for high image quality

A new 5-axis image stabilisation unit was developed to deliver a high level of image stabilisation in a compact and lightweight body. Based on camera shake information obtained from the high-sensitivity gyro sensor and image analysis, the TruePic VIII image processor precisely controls the IS unit to enable up to 5.5 shutter speed steps of compensation performance** .

Olympus’ acclaimed in-body image stabilisation system ensures stabilisation with all lenses attached to the OM-D E-M5 Mark III. In addition to angular and shift blur, roll blur is corrected to optimally support handheld shooting. By synchronising the in-lens IS of supported lenses*** with sync IS, the OM-D E-M5 Mark III is able to deliver an even better image stabilisation performance of up to approximately 6.5 shutter speed steps of compensation**** , making it perfect for dim situations and telephoto shooting.

Equipped with versatile and unique shooting features such as Live Composite, Pro Capture, Focus Bracketing and High Res Shot

Live Composite for long exposure shooting – The OM-D E-M5 Mark III is equipped with Live Composite, which overlaps multiple shots recorded at the same shutter speed and composites only the sections that are brighter for capturing light trails. This feature helps prevent the common phenomenon of images that are too bright when shooting long exposures. Users can check the progress of light trails in real-time using Live View.

Pro Capture mode for capturing split-second moments – Pro Capture mode makes it possible to capture scenes that are difficult to time for the photographer, such as a bird taking flight. Pro Capture starts shooting the moment the shutter release button is pressed down halfway, with a buffer that can be set to capture up to 14 frames in full resolution. The moment the button is pressed down fully, the frames are available to select from retroactively on top of the images recorded while pressing the button.

Tripod High Res Shot for capturing 50M equivalent high-resolution photos – Tripod High Res Shot shifts the image sensor in 0.5-pixel increments while capturing 8 sequential shots, which are then merged into a single 50M equivalent high-resolution photo. This feature is perfect for landscape shots, product photography in a studio, and other situations that require high-definition images.

Focus Bracketing and Focus Stacking for close-up shots – Focus Bracketing can capture up to 999 shots with a single shutter activation while shifting the focal position slightly between each shot. The amount of focal shifts can be selected from 10 levels, and recorded images can be combined into a single image using the Olympus Workspace image editing software. It is possible to create a single image with a depth of field that cannot be obtained simply by stopping down the aperture.

The Focus Stacking feature automatically composites images on the E-M5 Mark III. Eight photos with different focal positions are composited on the camera for a photo with a greater depth of field that is in focus from the foreground to the background.

Other features allowing for an extensive array of creative options for photographers and filmmakers

OM-D Movie for stable C4K video recording -Information from the On-chip Phase Detection AF sensor is used for optimal focusing when recording video. With this, users can record 4K 30P high-definition video. Combining 5-axis IS with electronic stabilisation makes it possible to record stable video with minimal camera shake. No special stabilisation equipment is required, even when moving around actively.

Large, high-visibility viewfinder – The E-M5 Mark III features a 2.36 million-dot, high-contrast OLED panel for vivid colours and an EVF (electronic viewfinder) system for minimal distortion up to the edges of the screen. The design makes framing more accurate so the user can concentrate on shooting. The long eyepoint makes it easy to check overall framing even when wearing glasses.

1/8000 second high-speed mechanical shutter – The camera features a high-speed mechanical shutter that operates up to 1/8000 second, making it possible to shoot at a wide aperture setting for defocusing effects even when using a large-diameter lens in bright outdoor conditions.

Custom mode to personalise the camera for different photography styles – This feature can be used to save frequently used camera settings to Custom (C on the mode dial). After being saved, users can simply set the mode dial to C to instantly activate and shoot using the registered settings.

Easy Wi-Fi connection to smartphones via Bluetooth with OI.Share app – Bluetooth can be used to automatically connect the camera to a smartphone simply by starting up the Olympus Image Share (OI.Share) smartphone app for transferring recorded images to a smartphone via Wi-Fi. By using the Share Order function, selected images on the camera can be automatically transferred to a smartphone when turning the camera off.

USB charging capability – The battery inside the camera may be charged via USB (when on the move or not using the camera).

Anti-flicker shooting and flicker scan -With anti-flicker shooting, the camera detects the flicker frequency of light sources and controls the shutter timing at peak brightness to suppress exposure and colour variations between frames. Flicker scan makes it possible to select an appropriate shutter speed to reduce flicker effects.

SCN (Scene) mode and Art Filters – In SCN mode, users may simply choose one of six themes and touch the photo most like the scene they want to capture to activate the optimal settings. The E-M5 Mark III is furthermore equipped with 16 Art Filter options, so that users can capture creative photos with simple controls. While checking the filter effect on the LCD monitor, users can create images that are uniquely their own.

*When a weather-sealed M.Zuiko lens is attached.

**With M.Zuiko Digital ED 12-40mm F2.8 PRO lens at a focal distance of f=40mm (35mm equivalent: f=80mm), CIPA standards compliant on 2 axes (Yaw and Pitch).

***M.Zuiko Digital ED 12-100mm F4.0 IS PRO, M.Zuiko Digital ED 300mm F4.0 IS PRO (as of October 17, 2019)

****With M.Zuiko Digital ED 12-100mm F4.0 IS PRO at a focal distance of f=100mm (35mm equivalent: f=200mm), halfway release image stabilisation: Off, frame rate: high speed. CIPA standards compliant on 2 axes (Yaw and Pitch).

LENS
Mount Micro Four Thirds mount
Focal distance 12 – 45 mm (equivalent to 24 to 90 mm on a 35 mm camera)
Max. aperture f4.0
Image angle 84° – 27°
Lens configuration 9 groups, 12 lenses
Iris control f4.0 to f22
Shooting range 0.12 m (4.7 in.) to ) (infinite)
Focal distance 12 mm
0.23 m (9.1 in.) to ) (infinite)
Focal distance 45 mm
Focus adjustment AF/MF switching
Weight 254 g (9.0 oz.) (excluding hood and cap)
Dimensions Max. dia. Ø 63.4 (2.5 in.) ×
length 70.0 mm (2.8 in.)
Lens hood mount Bayonet
Filter mount thread diameter Ø 58 mm
CAMERA
Mount Type
Lens mount Micro Four Thirds
Image Sensor
Type 4/3” Live MOS sensor
Effective pixels 20.4 Megapixels
Filter array Primary colour filter (RGB)
Aspect ratio & area 4:3 / 17.3 x 13.0mm
Full resolution 21.8 Megapixels
Engine
Type TruePic VIII
Filter
Dust reduction filter Supersonic Wave Filter
Viewfinder
Type Electronical Viewfinder
Pixel number 2.360K dots
Diopter adjustment Equipped -4.0 – +2.0 diopters / built-in type
Field of view Approx. 100%
Magnification Max. 1.37x with a 50mm lens set to infinity at -1 dioptre (depending on selected viewfinder style)
Eye point 27mm at -1 dioptre from eyepiece lens
Style 3 styles selectable
Displayed information Aperture value
Shutter speed
AF frame (super impose)
AF confirmation mark
AF lock
Auto bracket
Battery check
Exposure compensation indicator
Exposure compensation value indicator
Exposure level indicator
Exposure mode
Flash
FP flash
IS activating mode
Metering mode
Number of storable sequential pictures
White balance
Level Gauge
Highlight & Shadow
Live Pre-view function
Histogram
Correction of colour temperature +/- 7 levels
S-OVF Expands the Live View dynamic range *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
Live View
Displayed information Aperture
Shutter speed
Auto bracket
AE lock
Focus mode
Shooting mode
Battery check
IS activating mode
Face / Eye detection mode
Record mode
ISO
Sequential shooting mode
White Balance
Metering mode
Exposure compensation value
AF frame display
AF confirmation mark

Shooting information
Spot metering area
Super FP
Flash status
Touch Panel Condition
Focal length
Flash mode
Histogram
Level Gauge
Highlight & Shadow
Focus peaking
Number of storable pictures
Custom
Face detection
Flash intensity
WiFi
Field of view Approx. 100%
Magnification levels 3 / 5 / 7 / 10 / 14x
Dynamic range expansion When in HDR1 or HDR2
Display modes Comparison, Grid (4 types), Grid, Histogram, Level Gauge, Magnified View, Standard information, Off
Image Stabiliser
Type Sensor shift
Modes Five-dimensional, vertical or horizontal activation, automatic
Effective Compensation Range Up to 6.5 EV steps (Sync IS), Up to 5.5 EV steps (CIPA)
Live View stabilisation Available
Lens IS priority Available
Focusing System
Method TTL phase difference detection system, contrast detection system (when non high-speed contrast AF compatible lens is used, it works as MF assist)
Focus areas 121 points (All cross type) / 121 points contrast AF
All target, single target (normal / small), group target (5-area / 9-area / 25-area)
AF lock Available; Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised)
Modes Manual focus,Single AF*k, Continuous AF*, Preset MF**, AF* Tracking, Stacking (* incl. manual override ** Distance setting values are rough estimates and only AF lenses can be used.)
AF illuminator Equipped
Manual focus Available; With enlarged focusing area or focus peaking
Face Detection extension Eye Detect AF: Off, Left side priority, Near side priority, Right side priority
Predictive AF Available
AF tracking Available; Available in continuous AF mode
Focus peaking
Colour selection White, black, red, yellow
Intensity High / Normal / Low
Back light effect On / Off
Focus Bracketing Mode
Number of images 3 – 999 shots
Step size 10 levels, Compatible with: All Micro Four Thirds AF lenses
Focus Stacking Mode
Technology 8 shots are taken at different focus points and automatically composited together into a single image, Compatible with: M.Zuiko Digital ED 60mm F2.8 Macro, M.Zuiko Digital ED 30mm F3.5 Macro, M.Zuiko Digital ED 7-14mm F2.8 PRO, M.Zuiko Digital ED 12-40mm F2.8 PRO, M.Zuiko Digital ED 12-100mm F4.0 IS PRO, M.Zuiko Digital ED 40-150mm F2.8 PRO, M.Zuiko Digital ED 8mm F1.8 Fisheye PRO, M.Zuiko Digital ED 300mm F4.0 PRO, M.Zuiko Digital 1.4x Teleconverter MC- 14, M.Zuiko Digital 2x Teleconverter MC-20
Angle of view becomes slightly smaller
Exposure System
Modes Programme automatic, Aperture priority, Shutter priority, Manual, Bulb, Time, Movie, HDR, Custom shooting
Exposure compensation +/- 5 EV (1, 1/2, 1/3 steps) Note: Monitor and EVF displays only up to ±3 EV.
Exposure bracketing 2 / 3 / 5 frames (+/- 1/3, 2/3, 1 EV steps)
7 frames (+/- 1/3, 1/2, 2/3 EV steps)
ISO bracketing 3 frames (1/3, 1/2, 1 EV steps)
AE lock Available
My Mode 3 settings storable
Shadow Adjustment Technology, Flicker Scan: Available for M, S and silent mode (can be confirmed in Live View)
HDR bracketing 3 / 5 frames (+/- 2 / 3 EV steps), 7 frames (+/- 2 EV steps)
Multi-Exposure
Max. number of frames 2 frames (shooting), 3 frames (editing)
Auto gain control Available
Frame assistance Live View
Light Metering
Method TTL open aperture light metering
Zones 324 zones Multi-pattern Sensing System
Detection range -2 – 20 EV (17mm f2.8, ISO 100)
Modes ESP light metering, Spot metering, Centre weighted metering, Highlight, Shadow
Art Filter
Modes Pop Art, Soft Focus, Pale & Light Colour, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Dramatic Tone, Gentle Sepia, Key Line, Water colour, Vintage, Partial Colour*, Bleach Bypass, Instant Film
Variation / Effect Available
Art Filter bracketing Art Filters selectable
Sensitivity
Auto (customisable, default ISO LOW – 6400)
Manual ISO LOW – 25600 in 1/3 or 1 EV ISO steps
Shutter
Shutter type Computerised focal-plane shutter
Self timer 2s / 12s / Custom
Shutter Speeds
Shutter speed range 1/8000 – 60s (in 1/3, 1/2, 1 EV steps)
Bulb mode Up to 30 minutes (selectable longest time in the menu, default: 8 minutes)
High res shot
Shutter type Electronic shutter
Shutter speed 1/8000 – 60s
Start delay 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s
Resolution JPEG: 8160 x 6120 / 5760 x 4320 RAW: 10368 x 7776, Equivalent to 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift), Available in P/A/S/M mode, You need to install Olympus Workspace to develop on a PC.
Anti shock mode
Shutter type Electronic first curtain shutter
Shutter speed 1/320* – 60s
Start delay 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30s, * For speeds over 1/320 sec., mechanical shutter will automatically be selected.
Silent mode
Shutter type Electronic shutter
Shutter speed 1/32000 – 60s
Start delay 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s
Flicker Scan
Stills 1/7634 – 1/50s
Movies 1/250 – 1/30s (Frame rates greater 30fps are limited to their reciprocal value)
White Balance
AUTO WB system Advanced detection system with Live MOS sensor
Manual White balance (One-Touch) Available
White balance bracketing 3 frames / +/- 2, 4, 6 mired steps
One-touch white balance 4 custom settings can be registered
Custom WB 1 setting can be registered at Kelvin temperature (2000K – 14000K)
Preset values Tungsten, Flourescent 1, Sunlight, Flash, Overcast, Shade, Underwater
Auto Flash adjustment Off / Auto WB / Flash
Keep warm colour On / Off
Sequence Shooting
Speed (H) Approx. 10fps, Max. number of frames: RAW 150 / JPG (LF): Up to card capacity
Speed (L) 6fps, Max. number of frames: RAW / JPG (LF): Up to card capacity
Silent mode
Speed (H) Approx. 30fps, Max. number of frames: RAW 23 / JPG (LF): 26
Speed (L) Approx. 10fps, Max. number of frames: RAW 152 / JPG (LF): Up to card capacity
Pro Capture mode
Speed (H) Approx. 30fps
Speed (L) Approx. 10fps
Pre-shutter Frames 0 – 14 frames (recorded by half release prior to full release)
Frame count limiter 1- 99 frames / Off (unlimited frames) (incl. pre-shutter frames)
Conditions Memory card: TOSHIBA SDHC UHS-II R95 W90 EXCERIA™, When using the M.Zuiko Digital ED 12-40mm f2.8 Pro, Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting. The actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above.
Image Processing
Colour space sRGB / AdobeRGB
Sharpness + Contrast 5 levels
Contrast 5 levels
Saturation 5 levels
Black & White filter Yellow, Orange, Red, Green
Black & White toning Sepia, Blue, Purple or Green in Black & White mode
Picture mode
Gradation 4 levels (auto, high key, normal, low key)
Engine TruePic VIII
Art Filter bracketing Available
Tele converter effect 2x
Fisheye compensation Available when M.Zuiko Digital ED 8mm Fisheye PRO is attached Angle of view adjustable in 3 levels Compensation automatically ON when using Underwater Modes, available (can be confirmed in Live View)
Flash
Type Detachable flash with bounce capability (bundled)
Modes AUTO, Manual, Manual (Full, 1/4, 1/16, 1/64), Red-eye reduction, Slow synchronisation with red-eye reduction, Slow synchronisation, Slow synchronisation 2nd curtain, Fill-in, Off, TTL-Auto
Flash compensation +/- 3 EV / 1/3, 1/2, 1 EV steps
Guide number 12.9 (ISO 200)
X-sync speed 1/250s
External Flash Control
X-sync speed 1/250s / 1/8000s (Super FP Mode)
Type TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL
Modes Auto, Red-eye reduction, Slow synchronisation, 2nd curtain and slow synchronisation, Fill-in for exclusive flash, Manual
Intensity +/- 3 EV (1/3, 1/2, 1 EV steps) Note: Some functions are only available if they are supported by the external flash.
Compatible external flash FL-14, FL-20, FL-36R, FL-50R, FL-300R, FL-600R, FL-700WR, FL-900R, STF-8
Wireless Flash Control
Number of channels 4 channels
Compatible external flash FL-36R, FL-50R, FL-300R, FL-600R, FL-700WR, FL-900R
Control method Triggered and controlled by bundled flash
Group setting 4 groups, Available when used together with cameras compatible with the Olympus wireless RC flash system.
Radio wireless control Available
Monitor
Monitor type Vari-angle LCD – Touch Panel
Monitor size 7.6cm / 3.0” (3:2)
Resolution 1037K dots
Brightness adjustment +/- 7 levels
Colour balance +/- 7 levels Vivid (default) / Natural
Touch Control functions AF area enlargement, AF area selection, Art Filter, Enlargement, Enlargement playback, Frame forward/backward, Live Guide, Scene Modes, Shooting mode, Shutter release, Super Control Panel, Wifi connection
Level Gauge
Detection 2-axis
Display Rear display and viewfinder
Super Control Panel
Displayed information Battery indicator, Record mode, Shutter speed, Aperture value, Exposure compensation indicator, ISO, AE bracketing, AF frame, Focus mode, AEL notification, Face detection, Number of storable frames, Metering mode, Exposure mode, Exposure level view, Flash compensation value, Colour space, Gradation, Colour saturation compensation value, Sharpness compensation value, Contrast compensation value, White balance, White balance compensation value, Noise reduction, Flash mode, Drive mode, Internal temperature warning, Histogram
Recording Formats
RAW 12bit
RAW & JPEG Applied parallel recording
JPEG Applied
Aspect ratio 4:3 / 3:2 / 16:9 / 6:6 / 3:4
Image Size
RAW 5184 x 3888 compressed, 5184 x 3888 Fine (compression: 1/4)
Still Image Recording
EXIF 2.3
DCF Applied
RAW Applied
Movie Recording System
Recording format MOV(MPEG-4AVC/H.264)
Picture mode Flat
Time code Rec run / Free run, Drop frame / Non-drop frame
Image Stabilisation Mode Applied Sensor shift, M-IS1 (Image sensor shift and electronic image stabilizer with multi motion IS), M-IS2 (Image sensor shift with multi motion IS)
4K Movie quality 4096 x 2160 (C4K) / 24p / IPB (approx. 237 Mbps), 3840 x 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
HD Movie quality Full HD 1920 x 1080 (16:9) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) (MOV)
Full HD 1920 x 1080 (16:9) / 60p, 50p / IPB (SF, F, N) (MOV)
HD 1280 x 720 (16:9) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N) (MOV)
ALL-I: ~ 202 Mbps
FullHD IPB (SF: ~52Mbps, F: ~30Mbps)
HD IPB (SF: ~26Mbps, F: ~14Mbps, N: ~10Mbps)
Maximum Recording Time 29min (MOV)
Max. file size 4GB (AVCHD)
Exposure Modes Aperture priority, Manual,Programme automatic,Shutter priority
Notes * Frame rate may drop when using certain art filter
Class 10 or higher SD card is recommended for movie shooting
UHS-II or UHS-I U3 card is recommended for ALL-I shooting
Movie Specialties
High-Speed Recording 1920×1080 (MOV) / 120fps
Time lapse 4k, 1080p, 720p (AVI Motion JPEG®)
Fast motion Available
Slow motion Available
Movie clips 1, 2, 4, 8s (Extension up to 16s by pressing record button before clip ends.)
Movie effects Multi shot echo, One shot echo, Art fade, One push tele- converter, Old Film, Art Filter
Cross Process Diorama, Dramatic Tone, Gentle Sepia, Grainy Film, Key Line, Light Tone, Pale & Light Colour, Pin Hole, Pop Art, Soft Focus, Vintage, Partial Colour*, Bleach Bypass
* 18 colours selectable
Frame rate limited to 30fps or lower
HDMI Live View
Monitor mode Video signal and info display is processed, While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two. While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged).
Record mode Only video signal is processed
Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded.
Flicker Scan Available in M mode (can be confirmed in Live View)
Sound Recording System
Internal microphone Stereo
Recording format High quality sound recording (Stereo linear PCM/24-bit, Sampling frequency 96kHz), Stereo PCM/16bit, 48kHz, Wave Format Base
Image footage 30s
Speaker Equipped
Microphone functions Wind Noise Reduction, Recording Volume, Volume limiter, Audio Dubbing, Linking Olympus PCM Recorders
Functions Slate Tone / Synchronised Audio Rec-Movie Rec, Compatible with: LS-100
View Images
Modes Single, Index, Clips, Calendar, Zoom, Movie, Slide show, Light box
Auto rotation Available
Histogram in playback mode Available
Shooting information Off / On
Highlight/Shadow point warning Available
Erase / Protect / Copy Function
Erase modes Single, All, Selected
Image protect mode Single frame, Selected frames, All Frames, Release protect (Single/All selected)
Image Editing
Editing functions RAW data edit, Red-eye reduction, Sepia, Black & White, Resize, Correction of saturation, Correction of brightness, Correction of colour balance, Shadow Adjustment, Trimming, e-Portrait, Aspect ratio
Menu
Menu languages in camera English, French, German, Spanish, Italian, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovak, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian
Customisation Options
Fn Button Equipped
My Mode 1 setting storable (Can be set to mode dial.)
Factory reset Full / Basic
Programmable button Equipped
Interface
Media SD Memory Card (SDHC, SDXC, UHS-I, UHS-II compatible) Class 10 or higher SD card is recommended for movie shooting UHS-II or UHS-I U3 card is recommended for 4K, C4K, ALL-I shooting.
HDMI™ Applied Micro connector (Type D) *
USB 2.0 High Speed Applied
Wireless connectivity WiFi, Bluetooth® * “HDMI”, the HDMI logo and “High- Definition Multimedia Interface” are trademarks or registered trademarks of HDMI Licensing LLC.
Hot shoe Equipped
Communication method Bluetooth® Ver.4.2 BLE
Microphone jack 3.5 ø mm mini-jack
Wi-Fi Functions
Easy Connection QR code setting
Wireless Shooting Live View, Power off, Rec View, Self timer, Touch AF & Shutter, P/A/S/M exposure modes, Bulb mode, Zoom, Movie recording, Live Composite, Short movie
Power Supply
Battery BLS-50 Lithium-Ion Battery (included)
Sleep mode 1, 3, 5, 10 min. and off selectable.
Battery life
Image shooting 310 shots (using Toshiba SDHC UHS-I Card Exceria with IS on, with no flashes attached , based on CIPA test standards)
Movie recording 60min (standard JEITA conditions) 110min (when zoom and other operational functions are not used)
USB charging Performance varies depending on different USB devices
Environment
Temperature -10 – 40°C Operating temperature / -20 – 60°C storage temperature
Humidity 30 – 90% operation humidity / 10 – 90% storage humidity
Dimensions Width 125.3mm, Height 85.2mm, Depth 49.7mm
Weight 414g (including battery and memory card), 366g (body only)

Amazing portability

The M.Zuiko Digital ED 12–45mm F4 PRO is the world’s most compact, lightweight* lens – giving you amazing portability and comfort. Although just a light 254 grams, it packs an ultra-fast autofocus so you never miss a shot when you are on the move or capturing fast-moving subjects. The dustproof and splashproof design gives you full freedom on any photo assignment.

High resolution

Renowned M.Zuiko engineering means you have a lens delivering sharp edge-to-edge images at any focal length, as well as beautiful defocusing effects throughout the zoom range. The lens system with ZERO coating reduces aberrations, flares and loss of light at the edges for brightness and clarity across the entire scene.

Superb macro capabilities

This lens is all you need for wide-angle macro shots that emphasise perspective – or telemacro shooting for defocusing effects. With a max. 0.25x (0,5x**) magnification and a closest focusing distance of 12cm (wide angle) or 23mm (telemacro), you can enjoy a host of macro expressions. It also supports Focus Stacking***, capturing up to 15 photos at different focal positions and compositing them into a single photo.

Ultimate mobility

The entire E-M5 Mark III system has a compact and lightweight design that beats the competition. Regardless of the M.Zuiko Digital lens you choose to match your personal shooting style, the E-M5 Mark III system lets you break free and be mobile at all times. Capture the world as you see it. In photos. In videos. From any perspective. Without being weighed down.

Amazing image quality

Four components comes together in the E-M5 Mark III to make sure you have the brilliant image quality you want. The 20M Live MOS Sensor delivers fine details with clarity, working together with the TruePic VIII image processor, the power behind the ultra-fast autofocus speed. Five axes of image stabilisation (IS) make handheld shooting possible, without the worry of camera-shake. Top off with your choice of M.Zuiko Digital lens and pristine optics are yours.

Reliable image stabilisation (IS)

The renowned Olympus IS system delivers stunning images unseen with other cameras. This advanced technology makes up to 5.5 EV steps of compensation* possible to enable handheld shooting with full freedom of movement. Paired with a compatible lens like the M.Zuiko Digital ED 12–100mm F4 IS PRO, the E-M5 Mark III’s Sync IS feature makes sure the camera and lens work together perfectly to provide up to 6.5 EV steps of compensation. *Based on the CIPA standard. When used with M.Zuiko Digital ED 12–40mm F2.8 PRO at 40mm.

Precise autofocus

The OM-D autofocus (AF) system on the E-M5 Mark III lets you focus on the subject or scene – with the assurance that you’ll have a great, clear shot at all times. The 121-point all-cross type Phase Detection AF is especially convenient – the high number of autofocus points supports fast and precise shooting. Even patterns and moving subjects can be captured with ease.

High-res Electronic Viewfinder (EVF)

The technology known from the latest, state-of-the-art televisions can also be seen in the E-M5 Mark III: OLED. The OLED EVF has approximately 2.36 million dots to make viewing easy, with magnification of 1.37x. The vivid colours and high-contrast display performance is the highest of its class. The roughly 27mm eye point distance is ideal for eyeglass-wearers.

Take-anywhere construction

Be free in any weather. Rain, snow, dust – they’re no match for the E-M5 Mark III. This is thanks to renowned OM-D weather sealing. The full set-up of seals throughout the E-M5 Mark III and a host of M.Zuiko Digital lens is the most highly acclaimed in its class. What’s more, when changing lenses, you don’t have to worry about dust entering the E-M5 Mark III. That’s because the Supersonic Wave Filter (SSWF) instantly removes dust on the sensor by vibrating at ultra-high speeds. The sensor also features a special coating which prevents dust from sticking to its surface.

Made for movies

Also made for videographers, the E-M5 Mark III provides ultra-high C4K (4096 x 2160) movie-making, an ultra-high resolution which also allows for more flexibility when it comes to post-production. Or choose to film in Full HD at high-speed 120fps to add cinematic dynamics to your movies. Renowned Olympus IS made especially for filmmaking adjusts the compensation in harmony with how you pan the camera to ensure clear scenes with every take. To boost your video’s audio, a microphone jack is conveniently located on the side of the E-M5 Mark III. Using an extra hot shoe, you can add an external microphone or the LS-P4 Recorder and enjoy synced audio with ease.

Many lens options

Choose from over 20 M.Zuiko Digital lenses for your E-M5 Mark III. Whichever lenses you choose, you will have a lightweight, compact system in the E-M5 Mark III – and never want a bulky camera or lens again. This advanced OM-D lets you live up your creativity, photography passion and shooting style with ease, wherever you go. Macro, fisheye, ultra-telephoto … there are no limits to the images you can take.