Canon EOS R6 Mark II W/ RF 24-105mm USM

OVERVIEW
The Canon EOS R6 Mark II with RF 24-105mm USM lens is a game-changing full-frame camera that offers a unique blend of exceptional performance, speed, stability, and professional filmmaking features. This camera is perfect for photographers and filmmakers who refuse to compromise on quality and want to capture any subject, in any shooting style.

This camera features the revolutionary Dual Pixel CMOS AF II technology, which uses deep-learning AI to deliver powerful autofocus. With intelligent subject detection and tracking, including an Auto mode that can detect the subject, the EOS R6 Mark II ensures that your subjects are always in focus.

Capture even the most fleeting moments with the EOS R6 Mark IIs 40fps electronic shutter, which allows you to freeze time and capture microscopic details with AE and AF tracking. And with a 12fps mechanical shutter, you can capture fast-moving subjects with ease.

But the EOS R6 Mark II doesnt stop there. It also offers a 30fps Pre-shooting burst mode with 0.5 seconds of pre-shooting, allowing you to capture the perfect moment before you even press the shutter button. And with the combination of lens-based optical IS and in-body IS, this camera provides up to 8 stops of stabilization, ensuring sharp and steady images and videos.

Equipped with a 24.2 megapixel sensor, the EOS R6 Mark II strikes the perfect balance between resolution, speed, and low-light performance. It also offers full-width oversampled 4K 60p video and 6K RAW capture using an external Atomos Ninja V+ recorder, via the cameras clean HDMI output. And for those who love slow-motion footage, this camera can also shoot Full HD at 180p.

Designed to perform in any condition, the EOS R6 Mark II can shoot at up to ISO 102,400 sensitivity and focus in as little light as -6.5EV. This means you can capture stunning images and videos even in low-light situations.

The advanced Dual Pixel CMOS AF II technology of the EOS R6 Mark II also includes eye detection, allowing the camera to recognize and focus on people, vehicles, and animals with incredible precision. You can even choose which eye to prioritize when detecting people or animals. And if the subject turns away, the camera will automatically track their head or body, ensuring they stay in focus.

The EOS R6 Mark II also offers a RAW burst mode with a unique pre-shooting option that captures the action 0.5 seconds before you press the shutter button. This is perfect for capturing unpredictable subjects, such as sports or children. And with the Detect only option for Movie Servo AF, the camera will not refocus on other subjects if the specified subject moves out of the focus area.

In summary, the Canon EOS R6 Mark II with RF 24-105mm USM lens is a powerful and versatile camera that sets new standards in performance, speed, and stability. With its advanced features and capabilities, this camera is perfect for photographers and filmmakers who demand nothing but the best.

SUMMARY
Native ISO: ISO 100
Lens Mount: Canon RF
Recording Formats: Cine RAW
Shutter: Global (Electronic)
Media Type: SD
Resolution and Frame Rate: 4K 60fps
Sensor: CMOS
Video Outputs: 1x Micro-HDMI
Weight: 0-2kg
Wi-Fi: Yes
INCLUDED IN BOX
1 x EOS R6 Mark II Body
1 x Camera Cover R-F-5
1 x Shoe cover ER-SC2
1 x Strap ER-EOS R6 Mark II
1 x Battery Charger LC-E6E
1 x Battery Pack LP-E6NH
1 x Battery Pack Cover
1 x AC Cable (EU/SK)
1 x RF 24-105mm F4L IS USM
1 x Lens Cap E-77II
1 x Lens Hood EW-83N
1 x Lens Pouch LP1319
1 x Lens Dust Cap RF
1 x User Manual Kit (EU)

About The Canon EOS R6 Mark II W/ RF 24-105mm USM
EOS R6 Mark II:

The full-frame EOS R6 Mark II raises the bar with its unique blend of class-leading performance, breath-taking speed, stability and professional filmmaking features. Master your craft and never compromise – whatever you like to shoot, and however you like to shoot it.

Intense sharpness from Dual Pixel CMOS AF II

Our deep-learning AI delivers even more powerful autofocus. The EOS R6 Mark II recognises and tracks more subjects with even greater speed, reliability and precision.
The freedom to shoot handheld

Shoot long exposures with biting sharpness, thanks to an 8-stop2 Image Stabilizer. Video footage is super steady too, perfect for on-the-go filmmaking and documentaries.
Race ahead of the competition

Setting new speed records, the EOS R6 Mark II can shoot continuously at up to 40fps6 electronically, and up to 12fps mechanically5. Capture the action before you press the button with Pre-shooting in RAW burst mode.
Hone your filmmaking

Use the full width of the EOS R6 Mark II’s sensor to capture superb oversampled 4K 60p video or 6K RAW10. Focus-breathing correction and Detect-only AF make professional results easier than ever.

Extreme performance in extreme conditions

Capture the ambience of the moment whatever the conditions. Shoot up to ISO 102,400 sensitivity and focus in as little light as -6.5EV.

Advanced Dual Pixel CMOS AF II, with eye detection

The EOS R6 Mark II uses Canon’s state-of-the-art Dual Pixel CMOS AF II technology to focus and track subjects, keeping them sharp as they move through a scene. Using deep-learning artificial intelligence, we’ve programmed the camera to recognise people, vehicles (cars, motorbikes, trains and aircraft) and animals (dogs, cats, birds and horses). The type of subject to be detected can be chosen in the EOS R6 Mark II’s menu, or set to Auto if you shoot in a range of scenarios.

When detecting people or animals, the EOS R6 Mark II first looks for a subject’s eyes, and it’s now possible to specify which eye (left or right) should be given priority. If the eyes can’t be seen, the camera focuses on the face instead, and if the subject turns away for a moment, the head is tracked. If the head isn’t visible, the EOS R6 Mark II will track their body.

RAW burst mode

The EOS R6 Mark II also features a pre-shooting option as part of RAW burst mode, that captures the action 0.5 sec before the shutter-release button is pressed – a great advantage when shooting unpredictable subjects, from tennis players to toddlers.

RAW burst mode shoots continuously at 30fps for up to 191 frames (just over 6 sec using a high-speed card) and records all of the frames in a single RAW file, called a roll. This is recorded as a special CR3 file; all with AF tracking. Individual images can be extracted from this roll using Canon’s Digital Photo Professional software, or in camera, and saved as individual JPEG, HEIF or RAW files.

‘Detect only’ option for Movie Servo AF

A technology shared with Canon’s Cinema EOS family, a new Movie Servo AF option – ‘Detect only’ – has been added to the EOS R6 Mark II, and is similar to the ‘Face only’ feature found in our Cinema EOS C70 camera. When this is activated, if the subject specific in the Subject to detect menu moves out of the focus area, the camera will remain at its current point of focus without refocusing on other subjects. For example, if ‘People’ is specified in the menu, focus will not change if a subject walks out of shot. Traditionally, a camera would then refocus on the background, which is often not what’s wanted, especially if the subject may be about to move back into the frame again.

Focus-breathing correction

The EOS R6 Mark II can use digital processing to compensate for the effects of focus breathing – the small, but noticeable changes in viewing angle or magnification that happen as some lenses undergo significant changes in focus. Lenses currently supported, after firmware updates, are:

RF 14-35mm F4 L IS USM
RF 15-35mm F2.8 L IS USM
RF 24-70mm F2.8 L IS USM
RF 24-105mm F4 L IS USM
RF 70-200mm F2.8 L IS USM
RF 70-200mm F4 L IS USM

The RF24mm F1.8 Macro IS STM supports this feature from the beginning and does not require a firmware update.

Full-frame 24.2-megapixel sensor

The EOS R6 Mark II features a full-frame 24.2 megapixel CMOS sensor, designed by Canon. Working in tandem with a powerful DIGIC X processor, it powers many of the camera’s groundbreaking features and provides an ideal balance of resolution, low-light and speed.

The new sensor is fast, powering 40fps6 continuous shooting. Compared to the EOS R6, this new sensor reduces ‘rolling shutter’ distortion, allowing the camera’s electronic shutter to be used to freeze fast-moving objects. This speed also enables oversampled 4K 60p video using the full width of the sensor, and helps power the EOS R6 Mark II’s extraordinarily quick focusing.

A digital teleconverter provides an instant in-camera 1.6x crop, taking you closer to the action at the press of a button and with your eye still at the viewfinder.

In-camera focus bracketing

When you need more depth of field than is available, the EOS R6 Mark II can deploy focus bracketing and depth compositing to help achieve perfect focus throughout the frame.

After specifying the focus range and number of shots, a single press of the shutter-release button tells the camera to begin shooting, varying focus from near to far as it does so. When this sequence of images is blended together, the result is perfect depth of field for the scene.

This image sequence can now be merged in-camera, creating a perfect ready-to-go result. The feature can also be used as an on-location preview of what can be achieved later in post-production, giving you the confidence that you have what you need.

Depth compositing is great for shooting close-up or macro work when depth of field is limited. It also allows photographers to reduce time spent post-processing images from multiple frames and lets them achieve a result quickly, in-camera.

4K 60p full-width oversampled & 6K RAW

The EOS R6 Mark II can shoot 4K 60p UHD using the full width of the EOS R6 Mark II’s sensor, with simultaneous Dual Pixel CMOS AF II focusing. Footage is created by oversampling the sensor’s 6K output, resulting in superb image quality.

Improved circuit designs are highly heat efficient, allowing longer recording times of up to 610 hours, depending on ambient temperature, memory card space and battery life.

For filmmakers wanting even higher performance, the EOS R6 Mark II outputs 6K RAW via its HDMI output, which can be recorded on an Atomos Ninja V+ recorder in ProRes RAW. This provides more detail, as well as the ability to adjust parameters such as white balance in post-production. Full HD proxy footage can be captured internally to a memory card.

Movie pre-recording

When this function is activated, video is continuously streamed through the camera in standby. Such pre-captured footage can be captured from the 3 or 5 secs before the video record button is pressed – very handy when shooting unpredictable subjects or an unmissable one-off moment.

UVC support for webcam and live streaming

The EOS R6 Mark II can be used as a webcam on PC and Mac computers running video-call apps such as Skype, Zoom and Teams, without having to install additional software. This plug-and-play capability is powered by industry-standard USB Video Class (UVC) and USB Audio Class (UAC) drivers that are built into Windows and MacOS operating systems.

Used in this way, the EOS R6 Mark II provides improved image quality compared with standard computer webcams, letting you look your best when you need to make a great impression online.

False-colour indication

A technology shared with Canon’s Cinema EOS family, the EOS R6 Mark II features false colour warnings that give an easy-to-see indication of current exposure levels. Six colours, each representing a different luminance level, are overlaid on viewfinder and viewscreen images.

Recording emphasis and Aspect marker

When the EOS R6 Mark II’s Recording emphasis feature is turned on, a blinking red frame is visible at the edges of the frame when the camera is recording video. In addition, the EOS R6 Mark II includes an Aspect marker option, which acts as a guide to how footage will look when it’s been processed for different aspect ratios, such as 2.35:1 Cinema Scope, vertical 9:16, 5:4, and even Instagram friendly 1:1. This is very useful when shooting footage for social-media platforms, which often require different frame shapes.

More exposure modes when shooting video

When capturing video footage, EOS R6 Mark II users can now shoot in aperture-priority (Av) and shutter-priority (Tv) exposure modes, as well as manual (M), Program (P) and 3 custom setting modes giving more convenience and creative control.

Multifunction shoe

The multifunction shoe, first seen on the EOS R3, is also included on the EOS R6 Mark II, allowing a range of new accessories to be used with the camera. These include the DM-E1D digital microphone and Tascam XLR adapter, for recording high-quality sound, and a smartphone adapter – as well as new Speedlite flashes.

Advanced overheat management

The EOS R6 Mark II is able to capture video for longer by managing the camera’s response to rises in temperature. Advanced warning of overheating informs videographers well before shooting needs to be paused.

Low-resolution standby mode helps reduce the likelihood of overheating when the camera is on standby between takes. Display frame rate and image quality are temporarily reduced, conserving power and extending recording time.

RF 24-105mm F4L IS USM:

Featuring fast, silent, Nano USM technology, the RF 24-105mm f/4 L IS USM zoom offers photographers and filmmakers a small, lightweight and compact general-purpose lens with 5-stops of image stabilisation and high optical quality and constant aperture. A general purpose, practical zoom for every day photography and filmmaking The RF 24-105mm f/4 L IS USM zoom offers the perfect solution for photographers and filmmakers looking for a professional quality, go anywhere, capture everything lens that can satisfy a wide range of genres.

The RF mount:

The RF mount at the heart of the EOS R System is designed to maximise lens design possibilities and features a short back focus design and wide lens throat. This has made it possible for Canon engineers to design new lenses that weren’t possible before. The RF mount also transmits data faster via a 12-pin connector meaning quicker AF and lens processing using Digital Lens Optimiser stored in the lens itself.

The RF 24-105mm f/4 L IS USM zoom features an innovative Control Ring on the barrel, offering photographers used to manual cameras a familiar and intuitive traditional control over a wide range of customisable settings. This feature gives the photographer greater and faster connection with the camera and allows full concentration to be given to the subject. The Control Ring has a reassuring and familiar ‘click’ as it rotates which can be de-clicked at service, useful for filmmakers wishing to retain the silent characteristics of the lens.

A general purpose, practical zoom for every day photography and filmmaking:

With a hugely versatile 24-105mm focal length range that encompasses the everyday needs of most photographers and filmmakers, the RF 24-105mm f/4 L IS USM zoom is the primary go-to lens particularly suited to subjects such as landscapes, portraits and travel. A fixed f/4 constant aperture ensures exposure consistency throughout the entire zoom range and allows for a smaller, more compact lens design. Weighing in at just 700g, the RF 24-105mm f/4 L IS USM is lightweight, practical and perfect for agile, handheld photography and filmmaking when covering a variety of events and genres in the same day.

Steady, handheld professional performance with 5-stops of image stabilisation:

Advanced image stabilisation of up to 5-stops makes the RF 24-105mm f/4 L IS USM class-leading and among the best performing of any Canon lens, including those in the EF range. The obvious benefit comes when handholding the camera, particularly in low light. The lens works together with compatible EOS R bodies offering powerful combination IS for photographs and movies. A customisable Lens Control Ring is featured on the RF 24-105mm f/4 L IS USM offering the feel of a manual and allowing for the intuitive adjustments of camera settings such as Tv, Av and ISO meaning there is no need to look away from the subject and risk breaking concentration.

Fast, smooth, quiet Nano USM focusing bringing ideal attributes for photos and video:

The RF 24-105mm f/4 L IS USM is the first L-series lens to feature Canon’s pioneering and beautifully silent Nano USM motor technology. Nano USM offers very fast focusing for photographers and is especially useful for filmmakers when smooth focusing is a must for natural looking focus transitions, giving superb control and smooth tracking of the subject as it moves away or towards the camera.

Legendary L-series image quality for outstanding detail, depth and sharpness:

Using a combination of Air Sphere Coating (ASC) and Super Spectra Coating prevents ghosting and flare. Air Sphere Coating (ASC) technology combines traditional anti-reflective technology with a low refractive index which prevents problems like flare and ghosting degrading image quality. An aperture made up of nine blades produces a circular aperture for pleasing out of focus blur and attractive bokeh, resulting in much more natural looking highlights and smooth backgrounds, especially when shooting movies. Achieve high contrast images right across the frame and throughout the entire zoom range thanks to three aspherical lens elements which correct spherical aberration, distortion, and astigmatism.
Aspherical lens elements help to compensate for distortion and compensate or eliminate spherical aberrations. They also allow for a more compact lens design. UD lenses reduce axial chromatic aberration and chromatic aberration for richly defined images full of sharpness and colour. UD glass features a low refractive index and low dispersion with performance significantly better than ordinary optical glass.

Smart, professional design, built to accompany you everywhere, every day:

The RF 24-105mm f/4 L IS USM has been designed with performance as well as durability at its heart. Being an L-series lens, weather-sealing is exceptional and offers excellent resistance to dust, moisture and vibrations. Fluorine coatings used on the front and rear lens surfaces are highly dust and dirt resistance and allow the lens outer elements to be cleaned easily. This means the lens can withstand the rigours of professional life and be easy to clean, especially in dusty or humid climates. As an everyday ‘go-to’ lens the RF 24-105mm f/4 L IS USM versatility is exceptional.
As well as super-fast focusing, full-time manual focusing for creative control is possible thanks to a delightfully weighted focus ring with refined resistance for precise adjustments. A minimum focus distance of 45cm and a zoom ring lock makes the lens highly flexible plus the provided EW-83N lens hood takes care of lens flare plus provides additional protection from the front of the lens being accidentally knocked or scraped. A 77mm front element that doesn’t rotate it means that readily available filters can easily be used such as circular polarisers and neutral density.
EOS R6 Mark II:
Image Sensor
Type 35.9 x 23.9 mm CMOS
Effective Pixels Approx. 24.2megapixels
Total Pixels Approx. 25.6 megapixels
Aspect Ratio 3:2
Low-Pass Filter Built-in/Fixed
Sensor Cleaning EOS integrated cleaning system
Colour Filter Type Primary Colour
Sensor Shift-IS Yes, up to 8-Stops advantage depending on the lens used 1
Image Processor
Type DIGIC X
Lens
Lens Mount RF (EF and EF-S lenses can be attached using: Mount Adapter EF- EOS R, Control Ring Mount Adapter EF-EOS R, Drop-In Filter Mount
Adapter EF-EOS R) EF-M lenses are not compatible
Focal Length Equivalent to 1.0x the focal length of the lens with RF and EF lenses 1.6x with RF-S and EF-S
Focusing
Type Dual Pixel CMOS AF II
AF System / Points 100% horizontal and 100% vertical with Face + Tracking and Auto Selection modes 100% horizontal and 90% vertical with manual selection and large zone modes2
AF Working Range EV -6.5 – 21 (at 23°C & ISO100)3
AF Modes One Shot, Servo AF, AI Focus AF
AF Point Selection Automatic selection: 1053 Available AF areas when automatically selected,
Manual selection: 1-point AF (AF frame size can be changed) 4897AF positions available stills ( 4067 Movies)
Manual selection: AF point Expansion 4 points (up, down, left, right)
Manual selection: AF point Expansion surrounding
Manual selection: Flexible Zone AF 1-3 (all AF points divided into minimum 9 to 999 maximum focusing zones)
AF Tracking Humans, Animals (Dogs, Cats, Birds and horses) or Vehicles (Racing cars or Motor bikes, Aircraft and Trains)
AF Lock Locked when shutter button is pressed halfway or AF ON is pressed in One Shot AF mode. Using customised button set to AF stop in AI servo
AF Assist Beam Emitted by built in LED or optional dedicated Speedlite (flash)
Manual Focus Selected on lens
Exposure Control
Metering Modes Real-time with image sensor, 384-zone metering.
(1) Evaluative metering (linked to All AF points)
(2) Partial metering (approx. 5.9% of viewfinder at centre)
(3) Spot metering: Centre spot metering (approx. 3% viewfinder at centre)- AF point-linked spot metering not provided
(4) Centre weighted average metering
Metering Brightness Range EV -3 – 20 (at 23°C, ISO100, with evaluative metering)
AE Lock Auto: AE lock takes effect when focus is achieved
Manual: By AE lock button in P, Av, Fv, Tv and M modes
Exposure Compensation +/-3 EV in 1/3 or 1/2 stop increments (can be combined with AEB)
AEB +/-3 EV in 1/3 or 1/2 stop increments
Anti-flicker Shooting Yes. Flicker detected at a frequency of 100 Hz or 120 Hz. Maximum continuous shooting speed may decrease available with both electronic and mechanical shutter
High Frequency anti flicker shooting for M and TV modes
ISO Sensitivity Auto 100-102400 (in 1/3-stop or 1 stop increments) ISO can be expanded to L:50, H:204,801
Shutter
Type Electronically-controlled focal-plane shutter and Electronic shutter function on sensor
Speed Mechanical: 30-1/8000 sec (1/2 or 1/3 stop increments), Bulb
Electronic: 30-1/16000 (1/2 or 1/3 stop increments up to 1/8000 then 1 stop to 1/16000) (Total shutter speed range. Available range varies by shooting mode)4
Shutter Release Soft touch electromagnetic release
White Balance
Type Auto white balance with the imaging sensor
Settings AWB (Ambience priority/White priority), Daylight, Shade, Cloudy, Tungsten light, White Fluorescent light, Flash, Custom, Colour
Temperature Setting
White balance compensation:
1. Blue/Amber +/-10
2. Magenta/Green +/-11
Custom White Balance Yes, 1 setting can be registered – From image or Live View
WB Bracketing +/-3 levels in single level increments 3, 2, 5 or 7 bracketed images per shutter release
Selectable Blue/Amber bias or Magenta/Green bias
Viewfinder
Type 0.5-inch OLED colour EVF
Dot Count 3.69 Million dots
Coverage (Vertical/Horizontal) Approx. 100%
Magnification Approx. 0.76×5
Eyepoint Approx. 23mm (from eyepiece lens centre)
Dioptre Correction -4 to +2 m-1 (dioptre)
Display Performance Power saving: 59.94 fps Smooth 119.98 fps , supress low frame rate 60 -119.8fps6
Viewfinder Information Shutter speed, Aperture, ISO speed, AF point information, Exposure level indicator, Number of remaining exposures, Exposure compensation, Battery level, Electronic shutter, HDR shooting, Highlight tone priority, Multiple-exposure shooting, Self-timer shooting mode, Maximum burst, AF method, Subject to Track setting, Exposure simulation, Drive mode, AEB, Metering mode, FEB, Anti-flicker shooting, Still/video cropping, Shooting mode, Aspect ratio, Scene icons Auto Lighting Optimizer, AE lock Picture Style, Flash-ready, White balance, FE lock, Image Quality, High-speed sync, Bluetooth function, Wi-Fi on/off, Histogram, Electronic level, Focus distance scale in manual focus, SA control ring setting, IS system.
Audio Level – Manual (video), recording time remaining (video), headphone level (video), Video recording resolution frame rate and compression (video) Rec indicator (video), Overheat indicator ( Video)
Depth of Field Preview Yes, via customised button or with “Exposure +DOP” ( up to F8)
Eyepiece Shutter N/A
LCD Monitor
Type 7.5cm (3.0″) Clear View LCD II, approx. 1.62 million dots
Coverage Approx. 100%
Viewing Angle (Horizontally/Vertically) Approx. 170° vertically and horizontally
Coating Anti-smudge.
Brightness Adjustment Manual: Adjustable to one of seven levels Colour Tone Adjustment: 4 settings
Touch Screen Operations Capacitive method with menu functions, Quick Control settings, playback operations, and magnified display. AF point selection in still and Movies, touch shutter is possible in still photo shooting.
Display Options (1) Basic Camera settings
(2) Advance Camera settings
(3) Camera settings plus histogram and dual level display
(4) No info
(5) Quick Control Screen
Flash
Modes E-TTL II Auto Flash, Metered Manual
X-Sync 1/200sec mechanical shutter / 1/250th electronic 1st curtain
Flash Exposure Compensation +/- 3EV in 1/3 or 1/2 stop increments with EX series Speedlite flashes
Flash Exposure Bracketing Yes, with compatible External Flash
Flash Exposure Lock Yes
Second Curtain Synchronisation Yes via Speedlite
HotShoe / PC Terminal Yes/No
External Flash Compatibility E-TTL II with EX / EL series Speedlite, wireless multi-flash support
External Flash Control via camera menu screen
Shooting
Modes Stills; Scene Intelligent Auto, Flexible priority AE, Program AE, Shutter priority AE, Aperture priority AE, Manual, Bulb and Custom (x3)
Movie: Auto Exposure, TV, AV Manual and Custom (x3)
Picture Styles Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined (x3)
Colour Space sRGB and Adobe RGB
Image Processing Highlight Tone Priority (2 settings)
Auto Lighting Optimizer (3 settings)
Long exposure noise reduction
Clarity
High ISO speed noise reduction (4 settings) (stills and video)
Lens optical correction
– Peripheral illumination correction, Chromatic aberration correction Distortion correction (during/after still photo shooting, during video only)
Diffraction correction,
Digital Lens Optimizer (during/after still photo shooting only)
Focus Bracketing including image compositing
Resize to M, S1, S2
Cropping of images (JPEG/HEIF)
– Aspect ratios 3:2, 4:3, 16:9, 1:1 x1.6crop
– Switch between vertical and horizontal cropping orientation
– Image straightening
– Cropping frame can be moved using touch screen operation
RAW image processing
Dual Pixel RAW – Portrait Relighting, Background Clarity ( in camera)
Raw Cloud processing
Multiple exposure
HDR – with moving subject supression
HEIF to Jpeg conversion (single or batch)
Drive Modes Single, Continuous High+, Continuous High, Continuous Low, Self timer (2s+remote, 10s+remote)
Continuous Shooting Max. Approx. 12fps. with Mechanical shutter, speed maintained for 1000+ JPEG or 110 RAW 1000 CRAW images.Max.
Approx. 40fps. with Electronic shutter7,8 speed maintained for 190 JPEG or 75 RAW, 140 CRAW images
RAW Burst 30fps with 0.3 or 0.5 seconds pre record for max approx 191 frames
Interval Timer Built in
File Type
Still Image Type JPEG: 2 compression options
RAW: RAW, C-RAW 14 bit (14-bit with Mechanical shutter and Electronic 1st Curtain, 12-bit A/D conversion with Electronic shutter, Canon original RAW 3rd edition)
HEIF: 10bit HEIF is available in HDR shooting with [HDR PQ] set to [Enable]
Complies with Exif 2.31 and Design rule for Camera File system 2.0
Complies with Digital Print Order Format [DPOF] Version 1.2
RAW+JPEG Simultaneous Recording Yes, any combination of RAW + JPEG or RAW + HEIF possible
Image Size 3:2 ratio (L, RAW, C-RAW) 6000 x 4000, (M) 3984 x 2656, (S1) 2976x 11984, (S2) 2400 x 1600
1.6x (crop) (L) 3744 x 2496, (S2) 2400 x 1600
4:3 ratio (L) 5328 x 4000, (M) 3552 x2664 (S1) 2656 x 1992 (S2) 2112 x 1600
16:9 ratio (L) 6000 x 3368, (M) 3984 x 2240, (S1) 2976 x 1680, (S2) 2400 x 1344
1:1 ratio (L) 4000 x 400, (M) 2656x 2656, (S1) 1984 x 1984, (S2) 1600 x 1600
Folders New folders can be manually created, named and selected
File Numbering File Numbering
(1) Consecutive numbering
(2) Auto reset
(3) Manual reset
File Naming 3 User presets
EOS Movie
Movie Type MP4 Video: 4K UHD, Full HD (16:9)9 Audio: Linear PCM / AAC
Movie Size 4K UHD (16:9) 3840 x 2160 (59.94, 50, 29.97, 25, 23.98fps) inter frame (IPB) / (IPB Light)10
4K UHD Timelapse (16:9) 3840 x 2160 (29.97, 25fps) intra frame (All-I)
Full HD (16:9) 1920 x 1080 (179.82, 150, 119.88, 100, 59.94, 50, 29.97, 25, 23.98fps) inter frame (IPB) / (IPB Light)11
Full HD Timelapse (16:9) 1920 x 1080 (29.97, 25fps) intra frame (All-I), Full HD HDR (16:9) 1920 x 1080 (29.97, 25fps) intra frame (All-I)12
Colour Sampling (Internal Recording) 4K/ Full HD – YCbCr4:2:0 8-bit or YCbCr4:2:2 10bit
Canon Log Yes, Canon Log 3
Movie Length Max duration 6 hours (excluding High Frame Rate movies, and power and storage limitations ).13
Up to 5 seconds pre record possible.
No 4GB file limit with exFAT formatted SD card.
High Frame Rate Movie Full HD at 180fps, 150fps, 100fps or 119.9fps14
Recorded as 1/6-speed slow motion movie
Single scene maximum recording up to approx 1 hour 180/150fps 1hour 30mins 120/100fps
Frame Grab 8.3-megapixel JPEG/HEIF still image frame grab from 4K UHD movie possible (HEIF only possible when HDR PQ is set)15
Bitrate / Mbps MP4 H.264 Canon Log Off
4K (59.94p/50.00p): IPB Approx. 230 Mbps
4K (59.94p/50.00p): IPB (Light ) Approx. 120 Mbps
4K (29.97p/25.00p/23.98p): IPB Approx. 120 Mbps
4K (29.97p/25.00p/23.98p): IPB (Light ) Approx. 60 Mbps
4K Timelapse (29.97, 25fps) All-I Approx. 470Mbps
Full HD (179.82p/150.00p): IPB Approx. 180 Mbps
Full HD (179.82p/150.00p): IPB (Light) Approx. 105Mbps
Full HD (119.88p/100.00p): IPB Approx. 120 Mbps
Full HD (119.88p/100.00p): IPB (Light) Approx. 70 Mbps
Full HD (59.94p/50.00p): IPB Approx. 60 Mbps
Full HD (59.94p/50.00p): IPB (Light) Approx. 35 Mbps
Full HD (29.94p/25.00p/23.93p): IPB Approx. 30 Mbps
Full HD (29.94p/25.00p): IPB (Light) Approx. 12 Mbps
Full HD Timelapse (29.97, 25fps) All-I Approx. 90Mbps
Full HDR Movies (29.97, 25fps) IPB Approx. 30 Mbps
MP4 H.265 Canon Log / HDR PQ: On
4K (59.94p/50.00p): IPB Approx. 340 Mbps
4K (59.94p/50.00p): IPB (Light) Approx. 170 Mbps
4K (29.97p/25.00p/23.98p): IPB Approx. 170 Mbps
4K (29.97p/25.00p/23.98p): IPB (Light) Approx. 85 Mbps
4K Timelapse (29.97, 25fps) All-I Approx. 470Mbps
Full HD (179.82p/150.00p): IPB Approx. 270 Mbps
Full HD (179.82p/150.00p): IPB (Light) Approx. 150 Mbps
Full HD (119.88p/100.00p): IPB Approx. 180 Mbps
Full HD (119.88p/100.00p): IPB (Light) Approx. 100 Mbps
Full HD (59.94p/50.00p): IPB Approx. 90 Mbps
Full HD (59.94p/50.00p): IPB (Light) Approx. 50 Mbps
Full HD (29.94p/25.00p/23.93p): IPB Approx. 45 Mbps
Full HD (29.94p/25.00p): IPB (Light) Approx. 28 Mbps
Full HD Timelapse (29.97, 25fps) All-I Approx. 135Mbps
Dual Card Recording yes
Microphone Built-in stereo microphone (48 Khz, 16-bit x 2 channels), external mic or Multi-Function shoe including XLR via Tascam CAXLR2dC
HDMI Display Output to external monitor only (output of images and shooting information, images are recorded to the card)
HDMI Output Camera screen and External Monitor output (no recording to the card, camera screen shows images with shooting information)
4K (UHD) 59.94p / 29.97p / 23.98p,
Full HD 59.94p / 59.94i, 50.00p / 50.00i
480p 59.94p
576p 50p
Uncompressed YCbCr 4:2:2, 8-bit or 10-bit, sound output via HDMI is also possible
6k upto 60p RAW to Atomos Ninja V+ recorded as ProRes RAW or 3.7k RAW with crop
Focusing Dual Pixel CMOS AF with Eye/Face Detection, Face only and Animal Tracking AF, Movie Servo AF
Manual Focus (Peaking and Focus Guide available)
ISO Auto: 100-6400, H: 204800
Manual: 100-25600, H: 204801
Other Features
Custom Functions 22 Custom Functions
Metadata Tag User copyright information (can be set in camera)
Image rating (0-5 stars)
IPTC data (registered with EOS Utility or Mobile File Transfer app)
Image transfer with caption (Caption registered with EOS Utility)
LCD Panel / Illumination No/No
Water/Dust Resistance Yes16
Voice Memo No
Intelligent Orientation Sensor Yes
Playback Zoom 1.5x – 10x in 15 steps
Display Formats (1) Single image
(2) Single image with information (2 levels)
Basic – Shooting information (shutter speed, aperture, ISO and Image quality)
Detailed – Shooting information (shutter speed, aperture, ISO, metering Image, quality and file size), Lens information, Brightness and RGB histogram, White balance, Picture Style, Color space and noise reduction, Lens optical correction, GPS information, IPTC information
(3) 4 image index
(4) 9 image index
(5) 36 image index
(6) 100 image index
(7) Jump Display (1, 10 or 100 images, start of burst sequence, Date, Folder, Movies, Stills, Protected images, Rating, )
(8) Movie edit
(9) RAW processing
(10) Rating
SlideShow Image selection: All images, by Date, by Folder, Movies, Stills, Protected images or Rating
Playback time: 1/2/3/5/10 or 20 seconds
Repeat: On/Off
Histogram Brightness: Yes
RGB: Yes
Highlight Alert Yes
Image Erase Single image, select range, Selected images, Burst sequence Folder, Card
Image Erase Protection Erase protection of Single image, Folder or Card all found images (only during image search)
Self Timer 4 or 10 sec.
Menu Categories (1) Shooting menu
(2) AF Menu
(3) Playback menu
(4) Network
(5) Setup menu
(6) Custom Functions menu
(7) My Menu
Menu Languages 30 Languages
English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean, Malay, Indonesia and Japanese
Firmware Update Update possible by the user (Camera, Lens, External Speedlite, BLE remote control, Lens adapter) via card or Camera connect app
Interface
Computer SuperSpeed USB 3.2 Gen 2 USB C connector UVC/UAC support Windows / Mac OS compatible with Zoom / Skype / Teams / Meet / Webex
Wi-Fi Wireless LAN (IEEE802.11AC/ab/g/n) (5/ 2.4 GHz), with Bluetooth v5.0 support Features supported – EOS Utility, Smartphone, Upload to Web17
Other HDMI micro out (Type D), External Microphone In (Stereo mini jack), Headphone socket (Stereo mini jack), E3-type terminal (remote control terminal), Multi-Function shoe
Direct Print
Canon Printers Direct Print
PictBridge Not supported
Storage
Type 2x SD/SDHC/SDXC and UHS-II
Supported Operating System
PC Windows 8.1 and Windows 10, Windows 11 (tablet mode not supported)
Macintosh OS X v10.12, 10.13, 10.14,10.15, OS 11.x
Software
Image Processing Digital Photo Professional 4.17. or later, Digital Photo Professional Express mobile app ( iOS only) (RAW Image Processing not DUAL PIXEL RAW on DPP Express mobile)
Other EOS Utility 3.16 or later (incl. Remote Capture), Picture Style Editor, EOS Lens Registration Tool, EOS Web Service Registration Tool, Canon Camera Connect V3.0 app, Mobile File Transfer app and image.canon app (iOS/Android)
Power Source
Batteries Rechargeable Li-ion Battery LP-E6NH (supplied)/LP-E6N
Battery Life With LCD Approx. 760 shots (at 23°C)
With Viewfinder Approx. 450 shots (at 23°C)18
Battery Indicator 7 levels + percentage
Power Saving Power turns off after 30 seconds, 1, 3, 5, 10 or 30mins
Power Supply & Battery Chargers Battery charger LC-E6E (supplied), AC Adapter AC-E6N and DC Coupler DR-E6, AC Adapter Kit ACK-E6N/ACK-E6, Car Battery Charger CBC-E6, PD-E1 USB power adapter
Physical Specifications
Body Materials Magnesium Alloy chassis, outer panels are polycarbonate resin with glass fiber
Operating Environment 2 – 40 °C, 85% or less humidity
Dimensions (W x H x D) 138.4 × 98.4 × 88.4 mm
Weight (Body Only) Approx. 588 g (670 g with card and battery)
Notes 1. * 8-stops based on the CIPA standard with RF 24-105mm F4 L IS USM at a focal length of 105mm
2. The AF area available vary depending on the lens used
3. The lowest light AF is available with an f/1.2 lens, center AF point, One-Shot AF, at 23°C / 73°F, ISO 100) Except RF lenses with a Defocus Smoothing (DS) coating
4. Electronic shutter speed 1/16000th not available in H+ mode
5. With 50mm lens at infinity, -1m-1 dpt
6. Low light AF performance will be reduced when supress low frames is used
7. Max Frames per second will vary depending on the battery type, and charge, if Wi-Fi is turned on, operating temperature lens used and file size. The number of possible shots and maximum burst vary depending on shooting conditions, aspect ratio, subject, memory card brand, ISO speed, Picture Style, and Custom Function). The speeds quoted are based on Canon testing with the following settings: Shutter speed 1/1000 sec. or faster, Aperture Maximum aperture, Flash Not used, Flicker reduction Not used, Battery pack Fully charged LP-6NH, Temperature Room temperature (23°C / 73°F). Battery grip Not used, Wi-Fi settings OFF
8. The continuous shooting speed may be reduced by the lens, shutter speed, aperture, flash, flicker reduction processing, subject conditions, and brightness (for example, when shooting in a dark place). When High speed continuous shooting (H+) is set, continuous shooting speed will not decline.
9. 4K UHD and Full HD is 100%, 4K movie cropping mode is 62% of the horizonal area
10. In High frame Rate Movie mode sound is not recorded
11. In High frame Rate Movie mode sound is not recorded
12. In High frame Rate Movie mode sound is not recorded
13. If the cameras internal temperature becomes too high the maximum recording time will be reduced
14. In High frame Rate Movie mode sound is not recorded
15. Frame grab is not available for RAW movies or Canon Log 3 movies
16. Although the camera features dust- and water- resistant construction, this cannot completely prevent dust or water droplets from entering the camera. To ensure adequate weather sealing, the supplied shoe cover should be used unless a weather sealed accessory is inserted in the Multi Function shoe.
17. Wi-Fi use may be restricted in certain countries or regions
18. Based on the CIPA Standard and using the battery supplied with the camera, except where indicated. In power saving mode
RF 240195mm F4L IS USM:
Image Size Full Frame
Angle of view (horzntl, vertl, diagnl) 74° – 19°20′,
53° – 13°,
84° – 23°20′
Lens construction (elements/groups) 18/14
No. of diaphragm blades 9
Maximum Aperture f/4
Minimum aperture 22
Closest focusing distance (m) 0.45
Maximum magnification (x) 0.24
Distance Information Yes
Image stabilizer 5 stops
AF actuator Nano USM
Accessories
Lens cap E-77 II
Lens hood EW-83N
Lens case/pouch LP1319
Rear End Cap Lens Dust Cap RF
Magnification with Extension Tube EF12 II Not Compatible
Magnification with Extension Tube EF25 II Not Compatible
Extender Compatibility Not Compatible
EOS R6 Mark II:
Image Sensor
Type 35.9 x 23.9 mm CMOS
Effective Pixels Approx. 24.2megapixels
Total Pixels Approx. 25.6 megapixels
Aspect Ratio 3:2
Low-Pass Filter Built-in/Fixed
Sensor Cleaning EOS integrated cleaning system
Colour Filter Type Primary Colour
Sensor Shift-IS Yes, up to 8-Stops advantage depending on the lens used 1
Image Processor
Type DIGIC X
Lens
Lens Mount RF (EF and EF-S lenses can be attached using: Mount Adapter EF- EOS R, Control Ring Mount Adapter EF-EOS R, Drop-In Filter Mount
Adapter EF-EOS R) EF-M lenses are not compatible
Focal Length Equivalent to 1.0x the focal length of the lens with RF and EF lenses 1.6x with RF-S and EF-S
Focusing
Type Dual Pixel CMOS AF II
AF System / Points 100% horizontal and 100% vertical with Face + Tracking and Auto Selection modes 100% horizontal and 90% vertical with manual selection and large zone modes2
AF Working Range EV -6.5 – 21 (at 23°C & ISO100)3
AF Modes One Shot, Servo AF, AI Focus AF
AF Point Selection Automatic selection: 1053 Available AF areas when automatically selected,
Manual selection: 1-point AF (AF frame size can be changed) 4897AF positions available stills ( 4067 Movies)
Manual selection: AF point Expansion 4 points (up, down, left, right)
Manual selection: AF point Expansion surrounding
Manual selection: Flexible Zone AF 1-3 (all AF points divided into minimum 9 to 999 maximum focusing zones)
AF Tracking Humans, Animals (Dogs, Cats, Birds and horses) or Vehicles (Racing cars or Motor bikes, Aircraft and Trains)
AF Lock Locked when shutter button is pressed halfway or AF ON is pressed in One Shot AF mode. Using customised button set to AF stop in AI servo
AF Assist Beam Emitted by built in LED or optional dedicated Speedlite (flash)
Manual Focus Selected on lens
Exposure Control
Metering Modes Real-time with image sensor, 384-zone metering.
(1) Evaluative metering (linked to All AF points)
(2) Partial metering (approx. 5.9% of viewfinder at centre)
(3) Spot metering: Centre spot metering (approx. 3% viewfinder at centre)- AF point-linked spot metering not provided
(4) Centre weighted average metering
Metering Brightness Range EV -3 – 20 (at 23°C, ISO100, with evaluative metering)
AE Lock Auto: AE lock takes effect when focus is achieved
Manual: By AE lock button in P, Av, Fv, Tv and M modes
Exposure Compensation +/-3 EV in 1/3 or 1/2 stop increments (can be combined with AEB)
AEB +/-3 EV in 1/3 or 1/2 stop increments
Anti-flicker Shooting Yes. Flicker detected at a frequency of 100 Hz or 120 Hz. Maximum continuous shooting speed may decrease available with both electronic and mechanical shutter
High Frequency anti flicker shooting for M and TV modes
ISO Sensitivity Auto 100-102400 (in 1/3-stop or 1 stop increments) ISO can be expanded to L:50, H:204,801
Shutter
Type Electronically-controlled focal-plane shutter and Electronic shutter function on sensor
Speed Mechanical: 30-1/8000 sec (1/2 or 1/3 stop increments), Bulb
Electronic: 30-1/16000 (1/2 or 1/3 stop increments up to 1/8000 then 1 stop to 1/16000) (Total shutter speed range. Available range varies by shooting mode)4
Shutter Release Soft touch electromagnetic release
White Balance
Type Auto white balance with the imaging sensor
Settings AWB (Ambience priority/White priority), Daylight, Shade, Cloudy, Tungsten light, White Fluorescent light, Flash, Custom, Colour
Temperature Setting
White balance compensation:
1. Blue/Amber +/-10
2. Magenta/Green +/-11
Custom White Balance Yes, 1 setting can be registered – From image or Live View
WB Bracketing +/-3 levels in single level increments 3, 2, 5 or 7 bracketed images per shutter release
Selectable Blue/Amber bias or Magenta/Green bias
Viewfinder
Type 0.5-inch OLED colour EVF
Dot Count 3.69 Million dots
Coverage (Vertical/Horizontal) Approx. 100%
Magnification Approx. 0.76×5
Eyepoint Approx. 23mm (from eyepiece lens centre)
Dioptre Correction -4 to +2 m-1 (dioptre)
Display Performance Power saving: 59.94 fps Smooth 119.98 fps , supress low frame rate 60 -119.8fps6
Viewfinder Information Shutter speed, Aperture, ISO speed, AF point information, Exposure level indicator, Number of remaining exposures, Exposure compensation, Battery level, Electronic shutter, HDR shooting, Highlight tone priority, Multiple-exposure shooting, Self-timer shooting mode, Maximum burst, AF method, Subject to Track setting, Exposure simulation, Drive mode, AEB, Metering mode, FEB, Anti-flicker shooting, Still/video cropping, Shooting mode, Aspect ratio, Scene icons Auto Lighting Optimizer, AE lock Picture Style, Flash-ready, White balance, FE lock, Image Quality, High-speed sync, Bluetooth function, Wi-Fi on/off, Histogram, Electronic level, Focus distance scale in manual focus, SA control ring setting, IS system.
Audio Level – Manual (video), recording time remaining (video), headphone level (video), Video recording resolution frame rate and compression (video) Rec indicator (video), Overheat indicator ( Video)
Depth of Field Preview Yes, via customised button or with “Exposure +DOP” ( up to F8)
Eyepiece Shutter N/A
LCD Monitor
Type 7.5cm (3.0″) Clear View LCD II, approx. 1.62 million dots
Coverage Approx. 100%
Viewing Angle (Horizontally/Vertically) Approx. 170° vertically and horizontally
Coating Anti-smudge.
Brightness Adjustment Manual: Adjustable to one of seven levels Colour Tone Adjustment: 4 settings
Touch Screen Operations Capacitive method with menu functions, Quick Control settings, playback operations, and magnified display. AF point selection in still and Movies, touch shutter is possible in still photo shooting.
Display Options (1) Basic Camera settings
(2) Advance Camera settings
(3) Camera settings plus histogram and dual level display
(4) No info
(5) Quick Control Screen
Flash
Modes E-TTL II Auto Flash, Metered Manual
X-Sync 1/200sec mechanical shutter / 1/250th electronic 1st curtain
Flash Exposure Compensation +/- 3EV in 1/3 or 1/2 stop increments with EX series Speedlite flashes
Flash Exposure Bracketing Yes, with compatible External Flash
Flash Exposure Lock Yes
Second Curtain Synchronisation Yes via Speedlite
HotShoe / PC Terminal Yes/No
External Flash Compatibility E-TTL II with EX / EL series Speedlite, wireless multi-flash support
External Flash Control via camera menu screen
Shooting
Modes Stills; Scene Intelligent Auto, Flexible priority AE, Program AE, Shutter priority AE, Aperture priority AE, Manual, Bulb and Custom (x3)
Movie: Auto Exposure, TV, AV Manual and Custom (x3)
Picture Styles Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined (x3)
Colour Space sRGB and Adobe RGB
Image Processing Highlight Tone Priority (2 settings)
Auto Lighting Optimizer (3 settings)
Long exposure noise reduction
Clarity
High ISO speed noise reduction (4 settings) (stills and video)
Lens optical correction
– Peripheral illumination correction, Chromatic aberration correction Distortion correction (during/after still photo shooting, during video only)
Diffraction correction,
Digital Lens Optimizer (during/after still photo shooting only)
Focus Bracketing including image compositing
Resize to M, S1, S2
Cropping of images (JPEG/HEIF)
– Aspect ratios 3:2, 4:3, 16:9, 1:1 x1.6crop
– Switch between vertical and horizontal cropping orientation
– Image straightening
– Cropping frame can be moved using touch screen operation
RAW image processing
Dual Pixel RAW – Portrait Relighting, Background Clarity ( in camera)
Raw Cloud processing
Multiple exposure
HDR – with moving subject supression
HEIF to Jpeg conversion (single or batch)
Drive Modes Single, Continuous High+, Continuous High, Continuous Low, Self timer (2s+remote, 10s+remote)
Continuous Shooting Max. Approx. 12fps. with Mechanical shutter, speed maintained for 1000+ JPEG or 110 RAW 1000 CRAW images.Max.
Approx. 40fps. with Electronic shutter7,8 speed maintained for 190 JPEG or 75 RAW, 140 CRAW images
RAW Burst 30fps with 0.3 or 0.5 seconds pre record for max approx 191 frames
Interval Timer Built in
File Type
Still Image Type JPEG: 2 compression options
RAW: RAW, C-RAW 14 bit (14-bit with Mechanical shutter and Electronic 1st Curtain, 12-bit A/D conversion with Electronic shutter, Canon original RAW 3rd edition)
HEIF: 10bit HEIF is available in HDR shooting with [HDR PQ] set to [Enable]
Complies with Exif 2.31 and Design rule for Camera File system 2.0
Complies with Digital Print Order Format [DPOF] Version 1.2
RAW+JPEG Simultaneous Recording Yes, any combination of RAW + JPEG or RAW + HEIF possible
Image Size 3:2 ratio (L, RAW, C-RAW) 6000 x 4000, (M) 3984 x 2656, (S1) 2976x 11984, (S2) 2400 x 1600
1.6x (crop) (L) 3744 x 2496, (S2) 2400 x 1600
4:3 ratio (L) 5328 x 4000, (M) 3552 x2664 (S1) 2656 x 1992 (S2) 2112 x 1600
16:9 ratio (L) 6000 x 3368, (M) 3984 x 2240, (S1) 2976 x 1680, (S2) 2400 x 1344
1:1 ratio (L) 4000 x 400, (M) 2656x 2656, (S1) 1984 x 1984, (S2) 1600 x 1600
Folders New folders can be manually created, named and selected
File Numbering File Numbering
(1) Consecutive numbering
(2) Auto reset
(3) Manual reset
File Naming 3 User presets
EOS Movie
Movie Type MP4 Video: 4K UHD, Full HD (16:9)9 Audio: Linear PCM / AAC
Movie Size 4K UHD (16:9) 3840 x 2160 (59.94, 50, 29.97, 25, 23.98fps) inter frame (IPB) / (IPB Light)10
4K UHD Timelapse (16:9) 3840 x 2160 (29.97, 25fps) intra frame (All-I)
Full HD (16:9) 1920 x 1080 (179.82, 150, 119.88, 100, 59.94, 50, 29.97, 25, 23.98fps) inter frame (IPB) / (IPB Light)11
Full HD Timelapse (16:9) 1920 x 1080 (29.97, 25fps) intra frame (All-I), Full HD HDR (16:9) 1920 x 1080 (29.97, 25fps) intra frame (All-I)12
Colour Sampling (Internal Recording) 4K/ Full HD – YCbCr4:2:0 8-bit or YCbCr4:2:2 10bit
Canon Log Yes, Canon Log 3
Movie Length Max duration 6 hours (excluding High Frame Rate movies, and power and storage limitations ).13
Up to 5 seconds pre record possible.
No 4GB file limit with exFAT formatted SD card.
High Frame Rate Movie Full HD at 180fps, 150fps, 100fps or 119.9fps14
Recorded as 1/6-speed slow motion movie
Single scene maximum recording up to approx 1 hour 180/150fps 1hour 30mins 120/100fps
Frame Grab 8.3-megapixel JPEG/HEIF still image frame grab from 4K UHD movie possible (HEIF only possible when HDR PQ is set)15
Bitrate / Mbps MP4 H.264 Canon Log Off
4K (59.94p/50.00p): IPB Approx. 230 Mbps
4K (59.94p/50.00p): IPB (Light ) Approx. 120 Mbps
4K (29.97p/25.00p/23.98p): IPB Approx. 120 Mbps
4K (29.97p/25.00p/23.98p): IPB (Light ) Approx. 60 Mbps
4K Timelapse (29.97, 25fps) All-I Approx. 470Mbps
Full HD (179.82p/150.00p): IPB Approx. 180 Mbps
Full HD (179.82p/150.00p): IPB (Light) Approx. 105Mbps
Full HD (119.88p/100.00p): IPB Approx. 120 Mbps
Full HD (119.88p/100.00p): IPB (Light) Approx. 70 Mbps
Full HD (59.94p/50.00p): IPB Approx. 60 Mbps
Full HD (59.94p/50.00p): IPB (Light) Approx. 35 Mbps
Full HD (29.94p/25.00p/23.93p): IPB Approx. 30 Mbps
Full HD (29.94p/25.00p): IPB (Light) Approx. 12 Mbps
Full HD Timelapse (29.97, 25fps) All-I Approx. 90Mbps
Full HDR Movies (29.97, 25fps) IPB Approx. 30 Mbps
MP4 H.265 Canon Log / HDR PQ: On
4K (59.94p/50.00p): IPB Approx. 340 Mbps
4K (59.94p/50.00p): IPB (Light) Approx. 170 Mbps
4K (29.97p/25.00p/23.98p): IPB Approx. 170 Mbps
4K (29.97p/25.00p/23.98p): IPB (Light) Approx. 85 Mbps
4K Timelapse (29.97, 25fps) All-I Approx. 470Mbps
Full HD (179.82p/150.00p): IPB Approx. 270 Mbps
Full HD (179.82p/150.00p): IPB (Light) Approx. 150 Mbps
Full HD (119.88p/100.00p): IPB Approx. 180 Mbps
Full HD (119.88p/100.00p): IPB (Light) Approx. 100 Mbps
Full HD (59.94p/50.00p): IPB Approx. 90 Mbps
Full HD (59.94p/50.00p): IPB (Light) Approx. 50 Mbps
Full HD (29.94p/25.00p/23.93p): IPB Approx. 45 Mbps
Full HD (29.94p/25.00p): IPB (Light) Approx. 28 Mbps
Full HD Timelapse (29.97, 25fps) All-I Approx. 135Mbps
Dual Card Recording yes
Microphone Built-in stereo microphone (48 Khz, 16-bit x 2 channels), external mic or Multi-Function shoe including XLR via Tascam CAXLR2dC
HDMI Display Output to external monitor only (output of images and shooting information, images are recorded to the card)
HDMI Output Camera screen and External Monitor output (no recording to the card, camera screen shows images with shooting information)
4K (UHD) 59.94p / 29.97p / 23.98p,
Full HD 59.94p / 59.94i, 50.00p / 50.00i
480p 59.94p
576p 50p
Uncompressed YCbCr 4:2:2, 8-bit or 10-bit, sound output via HDMI is also possible
6k upto 60p RAW to Atomos Ninja V+ recorded as ProRes RAW or 3.7k RAW with crop
Focusing Dual Pixel CMOS AF with Eye/Face Detection, Face only and Animal Tracking AF, Movie Servo AF
Manual Focus (Peaking and Focus Guide available)
ISO Auto: 100-6400, H: 204800
Manual: 100-25600, H: 204801
Other Features
Custom Functions 22 Custom Functions
Metadata Tag User copyright information (can be set in camera)
Image rating (0-5 stars)
IPTC data (registered with EOS Utility or Mobile File Transfer app)
Image transfer with caption (Caption registered with EOS Utility)
LCD Panel / Illumination No/No
Water/Dust Resistance Yes16
Voice Memo No
Intelligent Orientation Sensor Yes
Playback Zoom 1.5x – 10x in 15 steps
Display Formats (1) Single image
(2) Single image with information (2 levels)
Basic – Shooting information (shutter speed, aperture, ISO and Image quality)
Detailed – Shooting information (shutter speed, aperture, ISO, metering Image, quality and file size), Lens information, Brightness and RGB histogram, White balance, Picture Style, Color space and noise reduction, Lens optical correction, GPS information, IPTC information
(3) 4 image index
(4) 9 image index
(5) 36 image index
(6) 100 image index
(7) Jump Display (1, 10 or 100 images, start of burst sequence, Date, Folder, Movies, Stills, Protected images, Rating, )
(8) Movie edit
(9) RAW processing
(10) Rating
SlideShow Image selection: All images, by Date, by Folder, Movies, Stills, Protected images or Rating
Playback time: 1/2/3/5/10 or 20 seconds
Repeat: On/Off
Histogram Brightness: Yes
RGB: Yes
Highlight Alert Yes
Image Erase Single image, select range, Selected images, Burst sequence Folder, Card
Image Erase Protection Erase protection of Single image, Folder or Card all found images (only during image search)
Self Timer 4 or 10 sec.
Menu Categories (1) Shooting menu
(2) AF Menu
(3) Playback menu
(4) Network
(5) Setup menu
(6) Custom Functions menu
(7) My Menu
Menu Languages 30 Languages
English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean, Malay, Indonesia and Japanese
Firmware Update Update possible by the user (Camera, Lens, External Speedlite, BLE remote control, Lens adapter) via card or Camera connect app
Interface
Computer SuperSpeed USB 3.2 Gen 2 USB C connector UVC/UAC support Windows / Mac OS compatible with Zoom / Skype / Teams / Meet / Webex
Wi-Fi Wireless LAN (IEEE802.11AC/ab/g/n) (5/ 2.4 GHz), with Bluetooth v5.0 support Features supported – EOS Utility, Smartphone, Upload to Web17
Other HDMI micro out (Type D), External Microphone In (Stereo mini jack), Headphone socket (Stereo mini jack), E3-type terminal (remote control terminal), Multi-Function shoe
Direct Print
Canon Printers Direct Print
PictBridge Not supported
Storage
Type 2x SD/SDHC/SDXC and UHS-II
Supported Operating System
PC Windows 8.1 and Windows 10, Windows 11 (tablet mode not supported)
Macintosh OS X v10.12, 10.13, 10.14,10.15, OS 11.x
Software
Image Processing Digital Photo Professional 4.17. or later, Digital Photo Professional Express mobile app ( iOS only) (RAW Image Processing not DUAL PIXEL RAW on DPP Express mobile)
Other EOS Utility 3.16 or later (incl. Remote Capture), Picture Style Editor, EOS Lens Registration Tool, EOS Web Service Registration Tool, Canon Camera Connect V3.0 app, Mobile File Transfer app and image.canon app (iOS/Android)
Power Source
Batteries Rechargeable Li-ion Battery LP-E6NH (supplied)/LP-E6N
Battery Life With LCD Approx. 760 shots (at 23°C)
With Viewfinder Approx. 450 shots (at 23°C)18
Battery Indicator 7 levels + percentage
Power Saving Power turns off after 30 seconds, 1, 3, 5, 10 or 30mins
Power Supply & Battery Chargers Battery charger LC-E6E (supplied), AC Adapter AC-E6N and DC Coupler DR-E6, AC Adapter Kit ACK-E6N/ACK-E6, Car Battery Charger CBC-E6, PD-E1 USB power adapter
Physical Specifications
Body Materials Magnesium Alloy chassis, outer panels are polycarbonate resin with glass fiber
Operating Environment 2 – 40 °C, 85% or less humidity
Dimensions (W x H x D) 138.4 × 98.4 × 88.4 mm
Weight (Body Only) Approx. 588 g (670 g with card and battery)
Notes 1. * 8-stops based on the CIPA standard with RF 24-105mm F4 L IS USM at a focal length of 105mm
2. The AF area available vary depending on the lens used
3. The lowest light AF is available with an f/1.2 lens, center AF point, One-Shot AF, at 23°C / 73°F, ISO 100) Except RF lenses with a Defocus Smoothing (DS) coating
4. Electronic shutter speed 1/16000th not available in H+ mode
5. With 50mm lens at infinity, -1m-1 dpt
6. Low light AF performance will be reduced when supress low frames is used
7. Max Frames per second will vary depending on the battery type, and charge, if Wi-Fi is turned on, operating temperature lens used and file size. The number of possible shots and maximum burst vary depending on shooting conditions, aspect ratio, subject, memory card brand, ISO speed, Picture Style, and Custom Function). The speeds quoted are based on Canon testing with the following settings: Shutter speed 1/1000 sec. or faster, Aperture Maximum aperture, Flash Not used, Flicker reduction Not used, Battery pack Fully charged LP-6NH, Temperature Room temperature (23°C / 73°F). Battery grip Not used, Wi-Fi settings OFF
8. The continuous shooting speed may be reduced by the lens, shutter speed, aperture, flash, flicker reduction processing, subject conditions, and brightness (for example, when shooting in a dark place). When High speed continuous shooting (H+) is set, continuous shooting speed will not decline.
9. 4K UHD and Full HD is 100%, 4K movie cropping mode is 62% of the horizonal area
10. In High frame Rate Movie mode sound is not recorded
11. In High frame Rate Movie mode sound is not recorded
12. In High frame Rate Movie mode sound is not recorded
13. If the cameras internal temperature becomes too high the maximum recording time will be reduced
14. In High frame Rate Movie mode sound is not recorded
15. Frame grab is not available for RAW movies or Canon Log 3 movies
16. Although the camera features dust- and water- resistant construction, this cannot completely prevent dust or water droplets from entering the camera. To ensure adequate weather sealing, the supplied shoe cover should be used unless a weather sealed accessory is inserted in the Multi Function shoe.
17. Wi-Fi use may be restricted in certain countries or regions
18. Based on the CIPA Standard and using the battery supplied with the camera, except where indicated. In power saving mode
RF 240195mm F4L IS USM:
Image Size Full Frame
Angle of view (horzntl, vertl, diagnl) 74° – 19°20′,
53° – 13°,
84° – 23°20′
Lens construction (elements/groups) 18/14
No. of diaphragm blades 9
Maximum Aperture f/4
Minimum aperture 22
Closest focusing distance (m) 0.45
Maximum magnification (x) 0.24
Distance Information Yes
Image stabilizer 5 stops
AF actuator Nano USM
Accessories
Lens cap E-77 II
Lens hood EW-83N
Lens case/pouch LP1319
Rear End Cap Lens Dust Cap RF
Magnification with Extension Tube EF12 II Not Compatible
Magnification with Extension Tube EF25 II Not Compatible
Extender Compatibility Not Compatible
EOS R6 Mark II:

Dual Pixel CMOS AF II: Intelligent subject detection and tracking, including Auto mode that detects the subject.
40fps electronic shutter: Capture microscopic moments in time at up to 40fps, with AE and AF tracking.
12fps mechanical shutter
30fps Pre-shooting burst mode with 0.5 sec Pre-shooting
Optical IS x In Body IS: Combining lens-based optical IS with in-body IS for up to 8 stops of stabilisation.
24.2 megapixel sensor: An ideal balance of resolution, speed and low-light performance.Full width oversampled 4K 60p
6K RAW Capture using an external Atomos Ninja V+ recorder, via the camera’s clean HDMI output.
Full HD at 180p: Capture fast action in smooth slow motion.
H.264/H.265: 8-bit H.264 or next-generation 10-bit H.265 codecs.
HDR: HDR PQ and HDR Movie.
Focus breathing correction: Pull focus like a pro, without distracting optical effects.
-6.5 EV AF performance: That’s less than the light from a half moon.
Max ISO 102,400 (extendable to 204,800)
3.69M dot EVF: a high-resolution EVF that refreshes at 120fps.
Dual UHS-II SD card slots
Built in Wi-Fi and Bluetooth
RAW processing in the cloud

RF 24-105mm F4L IS USM:

A general purpose, practical, professional zoom for every day photography and filmmaking
Steady, handheld professional performance with 5-stops of image stabilisation
Fast, smooth, quiet Nano USM focusing brining ideal attributes for photos and video
Legendary L-series image quality for outstanding detail, depth and sharpness
Smart, professional design, built to accompany you everywhere, every day